Jeu de Paume offers the Works of Harun Farocki and Rodney Graham in Exhibition

Written by rubin Wednesday, 08 April 2009 07:33

PARIS.- The exhibition H F | R G brings together works by Harun Farocki and Rodney Graham, thus confronting two major contemporary artists from the same generation but very different backgrounds. In their use of film and video, and their shared interest in the image, history and self-representation, Farocki and Graham have many points in common. According to the curator of the exhibition, Chantal Pontbriand, “they brilliantly reveal the tropes of our age.” On view 7 April through 7 June, 2009 at the Jeu de Paume.

These two artists explore our complex, image-saturated world which is beset by many existential, social and political difficulties, incisively and with originality. Farocki and Graham are constantly inventing new devices to sharpen our perception of the world. Presented on two levels of the Jeu de Paume, this exhibition is like two retrospectives combined. Most of the featured works have never been seen in Paris before: digital projections, installations and single-channel videos by Harun Farocki, large-format photographs and lightboxes, conceptual sculptural works, sculptural installations and video installations, and 16 and 35 mm films by Rodney Graham.

In all, the exhibition comprises 45 works and explores four major concepts that inform the work of both artists, and sometimes a single work: the Archive, the Non-Verbal, the Machine and Editing. However, rather than organise the works into four corresponding sections, these are positioned dialogically in a sequence guided by intuition and by the echoes between the pieces. As in a treasure hunt, the plaques indicate the concepts found in each of the works.

The Machine (and Dispositifs)
Both artists are acutely aware of machines and machine-like devices (dispositifs).
For Farocki, it is the “cinema machine” that bears witness to the world and its functioning (Auge/Maschine I, II and III, 2000, 2001, 2003 are commentaries on the technologies of war).

Graham explores ways of reading, looking and behaving that are often linked to machines, notably with the camera obscura (Camera obscura mobile, 1996), and the bicycle and other modes of transport. He links up a typewriter and film projector (Rheinmetall/Victoria 8, 2003), or produces commentaries on cinematographic, photographic and theatrical devices (Coruscating Cinnamon Granules, 1996, Dance!!!!!, 2008). “In Graham's case it is more the image machine in the broad sense that is being explored, discussed, tinkered with, in the interests of highlighting the ‘metaphysics of images’ and the paradox those images contain.” (Chantal Pontbriand)

Harun Farocki
Harun Farocki uses cinema history and the concept of cinema as "machine" as an image-making system, approaching the medium as sociopolitical praxis and as a language enabling revelation of the world and the way it functions. An œuvre of over ninety films makes use of different forms – photography, drawing, documentary images – in an analysis of the convergence of war, economics and politics within the overall social framework. Since the 1990s Farocki has been creating installations revolving around the making and processing of images in both the historical and contemporary contexts, and the "soft editing" effected by the viewer's consciousness.

Born in 1944 in Nový Jičín in a Czechoslovakia annexed by Germany, Harun Farocki studied at the Deutsche Film und Fernsehakademie in Berlin, where he still lives and works. Initially a director, he also published Filmkritik, a journal which, between 1974–84, served as a vehicle for his extensive theoretical writings about the image. Retrospectives of his films have been held at the Jeu de Paume (1995), the Museum of Contemporary Art in Barcelona (2004) and the Cinematheque in Vienna (2006). He taught at the University of California in Berkeley in 1993–99 and is currently a guest lecturer at the Academy of Fine Arts in Vienna. The installation Deep Play (2007), which is part of this exhibition, was created and presented at Documenta 12 in Kassel. HF|RG presents most of Farocki’s installations since 1995 and thirty-two films from 1966 to today.

Rodney Graham
Rodney Graham has a complex relationship with the history of modernity and postmodernity. Primarily interested in the functioning of ideas and "ways of doing", he draws on a field of reference extending from the history of photography, the visual arts and cinema (Hitchcock, Judd, Smithson, Beuys), to literature (Mallarmé, Roussel, Caroll, Poe, Fleming), to music (Wagner) and psychoanalysis (Freud). He makes frequent personal appearances in his conceptual works, photos and videos, exploring both the artist's stance in time and the mechanisms of consciousness and self-fashioning. As a singer, he writes songs for the Rodney Graham Band. At once conceptual and playful, Graham brings his very personal brand of humour to various artistic registers.

Born in 1949, in Abbotsford, British Columbia, Rodney Graham currently lives and works in Vancouver. Graham studied art history and humanities before beginning to exhibit in North America and Europe in the early 1980s. In 1992 he took part in Documenta 9 in Kassel, and in 1997 represented Canada at the Venice Biennale. He has been the subject of major exhibitions at the Sprengel Museum in Hanover, the BAWAG Foundation in Vienna, the Museum of Contemporary Art in Montréal, the Art Gallery of Ontario in Toronto, ICA in Philadelphia, MOCA in Los Angeles, the Whitney Biennial of American Art in New York, the Bergen Kunsthalle, the Whitechapel Art Gallery in London and the Museum of Contemporary Art in Marseille. HF|RG is the most important exhibition Graham has had in Paris to date and brings together works from 1984 to the present.

Visit the Jeu de Paume at : http://www.jeudepaume.org/

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