The Virginia Museum of Fine Arts Exhibits "Picasso: Masterpieces from the Musée National Picasso"

Written by Dominique van Housen Wednesday, 13 April 2011 23:57

Richmond VA.- The Virginia Museum of Fine Arts is presenting a landmark exhibition in honor of its 75th anniversary, "Picasso: Masterpieces from the Musée National Picasso, Paris". VMFA is the only East Coast venue for the exhibition’s seven-city international tour. The exhibition, which will be on view until May 15, 2011, is co-organized by the Musée National Picasso, Paris and the Virginia Museum of Fine Arts. Drawn from the collection of the Musée National Picasso in Paris, the largest and most significant repository of the artist’s work in the world, this exhibition represents works produced during every major artistic period of Pablo Picasso’s eight-decade career. It includes 176 works from Picasso’s personal collection, art that he kept for himself with the purpose of shaping his own legacy. In addition to showcasing some of Picasso’s most outstanding works, the exhibition tells a compelling story about the development of the artist’s career, his artistic inspirations, and his profound impact on modern art. The unique opportunity to exhibit Picasso’s work at this time is possible because the Musée Picasso National in Paris is closed for renovations until 2012, allowing for a global tour of this full-scale survey to travel for the first and possibly only time.

Renowned worldwide, the collection from the Musée National Picasso, Paris is unique because it represents the pieces that Picasso set aside for his own personal collection. Acting almost as a curator for his art, Picasso kept some of his most iconic pieces from each phase of his work, including the Blue Period, Rose Period, Cubism, the return to Classicism, Surrealism, and his later work. The exhibition showcases moments and art that defined Picasso’s early career, including a deathbed portrait of the artist’s close friend Carlos Casagemas. His friend’s suicide partially influenced Picasso’s famed Blue Period, defined by somber paintings in shades of blue and green. "Celestina (The Woman with One-Eye)", a masterpiece from the Blue Period, will be featured in the exhibition. Friends, lovers, and artists who influenced Pablo Picasso play a seminal role in the exhibition. Portraits of his mistresses, such as "Reading" and "Portrait of Dora Maar", feature his muses in various emotional states ranging from regal composure to inconsolable despair. Works ranging from studies for his early groundbreaking "Les Demoiselles d’Avignon", to some of the last works of his career show his connection to, and often competition with, other notable artists from his past and present such as Henri Matisse, Georges Braque, Paul Cézanne, and Diego Velázquez.



The exhibition includes examples of almost every medium in which Picasso worked –oil on canvas and panel, cast bronze, carved wood, assemblages of found materials, watercolors, drawings in pastel, charcoal, pencil, and ink; various printmaking techniques, and illustrated books. While Picasso contributed to and even inspired countless movements, he and Braques co-invented an entirely new movement: Cubism. Focused on fragmentation, shifting planes, and skewed perspectives, Cubism revolved around the deconstruction and reconstruction of figures and objects on two-dimensional surfaces or in space with new materials. The exhibition includes classical examples of Analytic Cubism, such as the famous Parisian landmark "Le Sacré-Coeur", and several paintings of figures with musical instruments where the subjects are torqued and faceted almost beyond recognition.

In the midst of the Great Depression, on January 16, 1936, Virginia's political and business leaders bravely demonstrated their faith in the future and their belief in the value of art by opening the Virginia Museum of Fine Arts in Richmond. The English Renaissance-style headquarters building was designed by Peebles and Ferguson Architects of Norfolk. The museum's first addition was built in 1954 by Merrill C. Lee, Architects, of Richmond. By the mid 1960s, additional gallery space was again desperately needed. The museum's second addition, the South Wing, was designed by Baskervill & Son Architects of Richmond. It featured four new permanent galleries and a large gallery for loan exhibitions, as well as a new library, photography lab, art storage rooms and staff offices. As more exhibition space and visitor services were needed, a third addition, the North Wing, designed by Hardwicke Associates, Inc., Architects, of Richmond, was completed in 1976. It added three more gallery areas (two for loan exhibitions and one for the Sydney and Frances Lewis Art Nouveau Collection) as well as a new sculpture garden with a cascading fountain. In December 1985, the museum opened its fourth addition, the West Wing. It now houses the Mellon collections, consisting of major examples of French Impressionist, Post-Impressionist and British Sporting art (which was permanently given to the museum in 1983); the Lewis Contemporary art collections; and the outstanding Lewis collections of Art Nouveau and Art Deco furniture, glass and other decorative arts. The West Wing was designed by Hardy Holzman Pfeiffer Associates of New York. The museum has assembled a wide-ranging collection of world art characterized by great breadth and exceptional aesthetic quality. It includes significant holdings of Classical and African art, paintings by European masters such as Poussin, Goya, Delacroix and Monet, and American masters such as John Singer Sargent and Winslow Homer, one of the world's leading collections of Indian and Himalayan art, an internationally important collection of fine English silver, unequaled holdings of Art Nouveau and Art Deco furniture, ceramics, glass and jewelry, a dynamic collection of Modern and Contemporary art, a popular collection of Fabergé imperial jeweled objects and noted holdings of French Impressionist and Post-Impressionist art, including original waxes and bronzes by Edgar Degas. In 2003, a year after its selection of London-based architect Rick Mather, VMFA unveiled a master plan for a $100-million building expansion and transformation of its 13 1/2-acre campus. Mather's design will provide Virginians with a work of contemporary architecture that will display more fully the museum's extensive collection of world art. His virtuoso handling of transparency and natural light will function as both a tool and a metaphor to open the museum to its surroundings and create an inspiring atmosphere in which to view art. Visit the mueum's website at ... http://www.vmfa.state.va.us

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