Fondation Beyeler exhibits Sarah Morris' ~ Black Beetle

Written by Sofia Tunison Friday, 24 December 2010 21:03

Basel, Switzerland - The Fondation Beyeler is presenting a project by the New York artist Sarah Morris (*1967) in its lower-level exhibition spaces. Morris has executed a new, very long mural (“Black Beetle,” 23.7 x 3.8 meters) that reflects her interest in origami, a Japanese paper-folding technique that originated in China. The work is supplemented by selected paintings from her series “Capital” and “Rings,” begun in 2001 and 2006. In addition, the Fondation plans a program of Morris’s films on New York, Washington, D.C., and Los Angeles.

In her paintings and films Morris concerns herself with the structure of architecture and the urban environment. Based on their distinctive features, she creates diagrammatic portraits of large American cities. As this focus implies, Morris’s project enters an interesting visual dialogue with our exhibition “Fernand Léger: Paris – New York.” In his own unique way, Léger too addressed the modern city, the geometry of its architecture, and the rhythms of urban life.

Since the mid-1990’s, Sarah Morris has been internationally recognized for her complex abstractions and films, which are derived from close observation of the architecture and psychology of urban environments. In her paintings she uses colors and geometries that she associates with a city’s unique aesthetic vocabulary and palette, as well as its character and energy.

Morris’ main interest has been major American cities, and in her films, “Midtown” (New York), 1998, “AM/PM” (Las Vegas), 2000, “Capital” (Washington D.C.), 2001, “Miami”, 2002, and “Los Angeles”, 2004, Morris gives her attention to the special character of these exceptional places. Because of their particular cultural, commercial, and political configurations, the cities’ appearances differ markedly. In the works, Morris treats each city as a self-referential system. The artist creates a montage of scenes from everyday life, distinctive architectural features, and media images that reflect the official image of each city in her filmwork.

 Sarah Morris made the film “Capital” in Washington during the final days of the Clinton administration. It is a record of now unimaginable access to the centers of power. “Capital” continues Morris's investigation of the way we decode and therefore begin to understand the built world around us. The Mall, the White House Press Office, the World Bank, uniformed members of the Secret Service, the Presidential motorcade, the Watergate Complex, the Kennedy Center, the J. Edgar Hoover Building, the Pentagon, the daily activities of the President and an overall consideration of the city form a sequence of reflection points for her series of paintings.

The new work focuses on the city of Beijing, a city at a transitionary moment where the upcoming Olympic event is not simply an event but functions as a catalyst of development. There are two sets of paintings being developed in parallel to each other in relation to Beijing: “Rings” and “Origami”. On view at the Fondation Beyeler are two works from the new series: a large-scale wall painting, titled “Black Beetle [Origami]” and recent painting, “1994 [Rings]”.

The “Origami” series is based on found diagrams. It is commonly accepted that origami originated in China with the advent of paper in the 1st century AD and then spread to Japan in 600 AD. Contemporary applications of origami range from the continuation of ancient traditions, such as folding 1000 paper cranes in order to realize a wish, to mathematical and engineering solutions. Origami in popular culture, particularly film, is often used to signify an impending event. It is a simple process which gives rise to complex forms.

Visit Fondation Beyeler at : www.beyeler.com/

---

Click on logo below to add this article to your favorite Social Website ~