Soft Target. War as a Daily, First-Hand Reality

Monday, 07 November 2005 15:10

UTRECHT, THE NETHERLANDS.-BAK, basis voor actuele kunst, presents Soft Target. War as a Daily, First-Hand Reality - Undercurrents. Concerning War is a project with a multi-faceted format including an exhibition Soft Target. War as a Daily, First-Hand Reality, a series of weekly lectures, conversations, screenings, and performances called Undercurrents, as well as a publication that consider how the issue of war is reflected upon in contemporary artistic practice. Concerning War focuses on the current situation of a permanent state of conflict across the globe. The exhibition entitled Soft Target. War as Daily, First-Hand Reality presents a collection of works by over twenty international artists and filmmakers. While addressing different concepts of war, Soft Target… begins with the question of whether art can provide a probing, radical impression of war as a daily, first-hand reality. Whereas the media fall short of addressing this issue, various artistic positions in the exhibition speculate upon the capacity of images to convey the reality of war, as well as about ethics of any such attempt. Participating artists: Kamal Aljafari (Ramle/Cologne), Maja Bajevic (Sarajevo/Paris), Jean-Jacques Birgé (Paris), Manel Esparbé i Gasca (Amsterdam), Jean-Luc Godard (Paris), Sagi Groner (Tel Aviv/Amsterdam), Afredo Jaar (New York), Aryan Kaganof (Johannesburg), Chris Marker (Paris), Renzo Martens (Brussels/Amsterdam/Brazzaville), Aernout Mik (Amsterdam), Deimantas Narkevi?ius (Vilnius), Jules & Gédéon Naudet and James Hanlon (New York), Ronald Ophuis (Amsterdam), Adela Peeva (Sofia), Alain Resnais (Paris), Anri Sala (Tirana/Berlin), Coco Schrijber (Amsterdam), Peter Watkins (London), and Jasmila ZbaniC (Sarajevo). Undercurrents is a series of weekly talks with artists, curators, and theorists on subjects that touch upon the underlying forces behind the current state of warfare, including how we define “war,” the impact of the media and its manipulations, and what role critical artistic and intellectual practices may play in addressing these issues.

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