Gustav Klimt Painting, Design & Modern Life in Vienna 1900 at Tate Liverpool

Written by Quincy Salinger Sunday, 06 June 2010 20:24

Liverpool, UK - This summer, Tate Liverpool will present a full-scale reconstruction of The Beethoven Frieze (1901-2 / 1984) a monumental installation by Gustav Klimt. The Frieze is a major highlight of Gustav Klimt: Painting, Design and Modern Life in Vienna 1900, the first comprehensive exhibition of Klimt’s work ever staged in the UK and a key event in Liverpool’s programme for European Capital of Culture.

The Beethoven Frieze was created by Klimt for an exhibition in 1902 and is now permanently installed in the Secession building where it was originally presented in Vienna. This exquisite reconstruction was created using the same techniques as applied by Klimt himself as the original Frieze, a masterpiece of 20th century art, underwent restoration. The Frieze celebrates the unification of all arts – painting, sculpture, architecture and music - and is a prime example of the “Gesamtkunstwerk”, the concept of the total work of art pioneered by Richard Wagner and influential in Vienna around 1900.

To celebrate European Capital of Culture 2008, Tate Liverpool will present the first comprehensive exhibition of Gustav Klimt’s work ever staged in the UK. The exhibition focuses on the life and art of one of the world’s most influential and revered artists.
 
The exhibition recreates the sophisticated world of Klimt and his patrons in Vienna around 1900 at the juncture between art, architecture and design, when this intriguing figure was at the epicentre of a cultural awakening sweeping the city. It explores the relationship between Klimt as a leader and founder of the Viennese Secession (founded 1897) and the products and philosophy of the Wiener Werkstätte (Viennese Workshop, founded 1903) – a highpoint of 20th century architecture and design. Klimt played a critical role in the Viennese Secession, a progressive group of artists and artisans driven by a desire for innovation and renewal. The work and philosophy of the Secession embraced not only art but architecture, fashion and the decorative objects and furniture of the Wiener Werkstätte, demanding the emancipation of fine and applied art in stunning environments.
 
The exhibition features not only major paintings, drawings and graphics by Klimt but also a wealth of furniture, design and silver objects, jewellery, fashion, graphic design and documentary material assembled from across the world. It addresses for the first time, in depth, the critical question of the relationship between so-called fine art and applied art in the reception of Klimt’s work and the question of the architectural and spatial staging of his paintings. The architect and designer Josef Hoffman, Klimt’s close friend and collaborator and co-founder of the Wiener Werkstätte, created extravagant interiors for many of Klimt’s most important patrons and collectors. The juxtaposition of Klimt’s painting with the sophisticated world of the Wiener Werkstätte will provide a synthesis of his art with the design and living culture of Vienna, illuminating the critical role played by the artist’s leading supporters and their search for identity at the turn of the century.
 
The exhibition presents key paintings and drawings in settings that approximate their original presentation in which works of art were integrated into fully designed environments. The Portrait of Hermine Gallia (1903-4) can be seen in Europe for the first time since the 1930s within the context of the magnificent silver objects and furniture ensembles designed by Josef Hoffmann for the family. What emerges is a fascinating world of both luxurious opulence and refined simplicity. The exhibition also pays homage to the formative impact of the British arts and crafts movement in Vienna at this time and on the foundation of the Wiener Werkstätte, reflecting the influence of British artists such as William Morris, Charles Rennie Mackintosh and Frances Macdonald Mackintosh. To accompany the exhibition there will be a lavishly illustrated catalogue, giving a complete survey of Klimt’s work in relation to the development of interior design, furniture and jewellery. The catalogue will include essays on key works by leading European and American scholars Tobias Natter, Christoph Grunenberg, Beatriz Colomina, Esther da Costa Meyer and Elizabeth Clegg.
 
Tate Liverpool, located in the port city of Liverpool in the north of England, is one of the family of four Tate galleries which display selections from the Tate Collection. This comprises the national collection of British art from the year 1500 to the present day, and of international modern art. The other three galleries are Tate Britain and Tate Modern in London, and Tate St Ives, in Cornwall, in the south-west. The entire Tate Collection is available online.

Tate Liverpool opened in 1988 and was created to share the Tate Collection with the North of England. It displays selections from the national collection of international modern art. It has also played a part in the regeneration of Liverpool following its drastic decline as a port in the 1960s. Tate Liverpool is housed in a converted warehouse in the Albert Dock, one of the finest groups of nineteenth- century industrial buildings anywhere.

Visit the Tate Liverpool at : www.tate.org.uk/liverpool

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