Art Knowledge News
Edouard Manet's The Boy with Cherries Visits Bilbao Museum of Fine Arts |
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| Written by Dorothy Manning |
| Monday, 01 February 2010 03:02 |
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The Boy with Cherries hides the tragic destiny the model had. Alexandre, a humble youngster, who helped Manet clean brushes and occasionally posed for him, ended up committing suicide at age 15, in the painter’s studio on Lavoisier Street. Profoundly affected by the death of his assistant, Manet finished the painting in a studio on Victoire Street, where he had moved after what had happened. Edouard Manet was born on January 23, 1832, in Paris. While studying with Thomas Couture from 1850 to 1856, he drew at the Académie Suisse and copied the old masters at the Musée du Louvre. After he left Couture’s studio, Manet traveled extensively in Europe, visiting Belgium, the Netherlands, Germany, Austria, and Italy. In 1859 he was rejected by the official Paris Salon, although Eugène Delacroix intervened on his behalf. In 1861 Manet’s paintings were accepted by the Salon and received favorable press, and he began exhibiting at the Galerie Martinet in Paris. During the early 1860s his friendships with Charles Baudelaire and Edgar Degas began. The three paintings Manet sent to the Salon of 1863, including Le Déjeuner sur l’herbe, were relegated to the Salon des Refusés, where they attracted the attention of the critic Théophile Thoré. In 1865 Manet’s Olympia and Christ
Mocked were greeted with great hostility when shown at the Salon. That
year the painter traveled to Spain, where he met Théodore Duret. He became a
friend of Emile Zola in 1866, when the writer defended him in a controversial
article for the periodical L’Evènement. In 1867 Zola published a longer article
on Manet, who that year exhibited his work in an independent pavilion at the
Paris World’s Fair. The artist spent the first of several summers in Boulogne at
this time. In 1868 two of his works were accepted by the Salon but were not
shown to advantage. The dealer Paul Durand-Ruel began buying his work in 1872. That same year The Battle of the Kearsarge and the Alabama was shown at the Salon, and Manet traveled to the Netherlands for the second time. The poet Stéphane Mallarmé, who met the artist in 1873, wrote articles about him in 1874 and 1876 and remained a close lifelong friend. Manet declined to show with the Impressionists in their first exhibition in 1874. That summer he worked at Gennevilliers and Argenteuil with Claude Monet and the following year he visited Venice. In 1876 he exhibited Olympia and two paintings rejected that year by the Salon at his own studio. From 1879 to 1882 Manet participated annually at the Salon. In 1880 he was given a solo exhibition at Georges Charpentier’s new gallery, La Vie Moderne, Paris. In 1881 Manet, then ailing, was decorated with the Légion d’Honneur. He died on April 30, 1883, in Paris. A memorial exhibition of his work took place at the École des Beaux-Arts the following year. Today, the outstanding Bilbao Fine Arts Museum collection has more than seven thousand works, including paintings, sculptures, works on paper and the applied arts ranging in time from the 12th century to the present day. Besides many major early and Old Master works, it also has a broad sampling of modern and contemporary art, placing particular emphasis on paintings from the Spanish and Flemish schools, together with a major collection of works by Basque artists. Visit : http://www.museobilbao.com/ Click on logo below to add this article to your favorite Social Website ~ |
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In 1865 Manet’s Olympia and Christ
Mocked were greeted with great hostility when shown at the Salon. That
year the painter traveled to Spain, where he met Théodore Duret. He became a
friend of Emile Zola in 1866, when the writer defended him in a controversial
article for the periodical L’Evènement. In 1867 Zola published a longer article
on Manet, who that year exhibited his work in an independent pavilion at the
Paris World’s Fair. The artist spent the first of several summers in Boulogne at
this time. In 1868 two of his works were accepted by the Salon but were not
shown to advantage. 
