Museum Moderner Kunst (MUMOK) opens First Retrospective for Cy Twombly in Austria |
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| Written by rubin |
| Monday, 08 June 2009 06:27 |
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Since his studies in the 1950s — Twombly
studied at the same time as Robert Rauschenberg at the legendary Black
Mountain College — his work has developed concurrently in many different
media: Painting, Sculpture, Photography and drawing have corresponded with
each other in a process of continual transference. Twombly uses drawing in
his paintings, oils in his drawings, paint on his sculptures and makes
references to his pictures and objects in his photographic work. The
retrospective at the MUMOK shows a collection of all of the different
media heightening an awareness of their simultaneity and subtle
interconnectedness. The exhibition has been organized into relatively
loosely defined categories such as the establishment of white, the use of
writing, the significance of the principles of collage and aesthetic means
of expression, as well as the movement on the canvas of impasto paint.
Hardly any other artist in the 20th century went as far to approach the “zero point” of modern art as Cy Twombly did. Children’s handwriting exercises, thoughtless scribbling and graffiti constituted contemporary points of departure for actualizing the experience of mythical stories, drawing a connection to the major themes of Mediterranean culture, with works that alternate between sensibility and rawness, fine filigree precision and expressivity. The color white, that has remained constitutive both for Twombly’s paintings and his sculptures, represents the matrix of this process of transformation. It registers the multiple traces of the work process, opening up a poetic space of possibilty that Twombly suggestively fills with inscriptions, names and lines from poems by poets such as Rainer Maria Rilke or Sappho. Up
to now, few people have been aware of the fact that Cy Twombly has worked
with photography since the early 1950s. His rich photographic work will be
shown together with his other works for the first time at the exhibition
in Vienna. Stylistic devices such as the intentional use of the effects of
over exposure or blurry focusing can in many ways be seen in connection
with his use of white or the way he lets colors and forms flow down the
surface of the painting. But the photographs also offer insight into the
environment surrounding his creative process — evoking the images of
Constantin Brancusi’s studio — whether in his adopted country of Italy, in
Rome, in Bassano di Teverina, or the coastal village Gaeta, or, more
recently, in the city of his birth Lexington, Virginia. Cy Twombly was born April 25, 1928 in Lexington, Virginia. He began his studies in 1947 at the School of the Museum of Fine Arts in Boston and then in 1945/50 at Washington and Lee University in Lexington. In 1950, he went to New York and continued his studies at the Art Students League. It was here that he got to know Robert Rauschenberg and Jasper Johns. One year later, he transferred to Black Mountain College in North Carolina where he studied with Robert Motherwell and Franz Kline. Together with Rauschenberg, he traveled through South America, North Africa, Spain and Italy in 1952. Twombly taught at the Southern Seminary and Junior College in Buena Vista, Virginia in 1955/56, and then returned again to Rome in 1957. Two years later, he finally moved to Italy. In 1968, the Milwaukee Art Center presented his first retrospective in the United States, followed by large international exhibitions: The retrospective at the Kunsthaus Zürich (1987) traveled to Madrid, London and Paris. While the exhibition at the Museum of Modern Art (1994) continued on to Houston, Los Angeles and Berlin, followed by a large retrospective at the Pinakothek der Moderne in Munich (2006). In 1995, the Cy Twombly Gallery run by the Menil Family was opened in Houston. The most recent retrospective began at the Tate Modern in London (2008) and went from there to Bilbao and Rome. Visit the Museum Moderner Kunst (MUMOK) at : http://www.mumok.at/ Click on logo below to add this article to your favorite Social Website ~ |
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Since his studies in the 1950s — Twombly
studied at the same time as Robert Rauschenberg at the legendary Black
Mountain College — his work has developed concurrently in many different
media: Painting, Sculpture, Photography and drawing have corresponded with
each other in a process of continual transference. Twombly uses drawing in
his paintings, oils in his drawings, paint on his sculptures and makes
references to his pictures and objects in his photographic work. The
retrospective at the MUMOK shows a collection of all of the different
media heightening an awareness of their simultaneity and subtle
interconnectedness. The exhibition has been organized into relatively
loosely defined categories such as the establishment of white, the use of
writing, the significance of the principles of collage and aesthetic means
of expression, as well as the movement on the canvas of impasto paint.
Up
to now, few people have been aware of the fact that Cy Twombly has worked
with photography since the early 1950s. His rich photographic work will be
shown together with his other works for the first time at the exhibition
in Vienna. Stylistic devices such as the intentional use of the effects of
over exposure or blurry focusing can in many ways be seen in connection
with his use of white or the way he lets colors and forms flow down the
surface of the painting. But the photographs also offer insight into the
environment surrounding his creative process — evoking the images of
Constantin Brancusi’s studio — whether in his adopted country of Italy, in
Rome, in Bassano di Teverina, or the coastal village Gaeta, or, more
recently, in the city of his birth Lexington, Virginia. 
