Baltimore, MD - The Walters Art Museum presents Déjà Vu? Revealing Repetition in French Masterpieces, an unprecedented international loan exhibition exploring the significance of artistic repetition through the art of 11 celebrated 19th- and 20th-century French painters. On view through Jan. 1, 2008, this exhibition includes 76 paintings, pastels, drawings, prints, photographs and sculptures.

It will also feature several multimedia interactive tools, including a unique video installation shot in high-resolution and projected to life-size. Many of the related versions of these well-known compositions have never been exhibited side-by-side before. The exhibition is presented by The PNC Foundation, the charitable giving arm of The PNC Financial Services Group, Inc. (NYSE:PNC), which acquired Mercantile Bankshares Corporation in March. Déjà Vu? will travel to the Phoenix Art Museum from Jan. 20 to May 4, 2008.

Featuring influential artists of early modernism (1800–1940), the exhibition includes works by Jacques-Louis David, Eugène Delacroix, Jean-Dominique Ingres, Claude Monet, Paul Cézanne, Edgar Degas and Henri Matisse. The works selected exemplify the many reasons for painterly repetition, whether as part of a creative process, in response to market demand or to the aesthetic shift that would eventually lead to the development of the now familiar Impressionist series. Also featured are new conservation findings using infrared photographs, X-radiographs and enhanced digital photography, which uncover physical evidence of the artistic process and/or resolve any lingering questions of authenticity.

Déjà Vu? will include some of the most recognizable imagery of the Western tradition, ranging from David’s brilliant Revolutionary martyr portrait The Death of Marat to Monet’s Grainstacks to Matisse’s colorful domestic interiors populated by women at leisure.

“Repetition is so prevalent a characteristic of everyday life, whether in the realm of advertising or in the fine arts, that we have become accustomed to it as a phenomenon of modernity,” said organizing Walters curator Eik Kahng. “This exhibition will capitalize on the natural predisposition to examine subtle differences between closely related images, thereby compelling the kind of sustained looking so infrequently practiced in this fast-paced technological age and so essential for the appreciation of the static medium of painting.”

“We are proud to be able to show such extraordinary works of art from great museums around the world, including the Louvre, the Hermitage, the Met and the National Gallery, London for this thought-provoking exhibition,” said Walters Director Gary Vikan. “This show not only includes paintings of the finest quality, but also asks and engages important questions of contemporary art and experience that will stimulate broad public interest.” Déjà Vu? Revealing Repetition in French Masterpieces has been organized by the Walters Art Museum, Baltimore, in association with the Phoenix Art Museum.

About the Exhibition

In this fascinating exhibition, the changing significance of copying and compositional repetition in both academic and avant-garde painting will be investigated. Déjà Vu? will explore the varied motivations for repetition, including learning through copying, cultivating market demand through reproductive technologies, such as print-making and photography, as well as showcasing the 19th-century tactic of painting in series—still an artistic staple of 21st-century modernism. Visitors will learn why artists repeated themselves, how they technically achieved self-repetition and what the possible meanings associated with repetition are in modern painting.

The installation features some spectacular reunions. For example, David’s The Death of Marat in the Royal Museums of Brussels, Belgium will be virtually present in the form of a life-size, high-resolution video produced for this exhibition, showing the painting both from the point of view of visitors in Brussels and from the point of view of the Marat itself. This literally moving record of the ‘original’ portrait by the great neoclassicist David will encourage close comparison between it and four painted copies produced under David’s direction by some of his most gifted pupils.

Other exhibition highlights include side-by-side installation of three distinct versions of Ingres’ mesmerizing Oedipus and the Sphinx from throughout the artist’s career culminating in the compositional ‘solution’ Ingres achieved in the weeks before his death. For the first time, Corot’s poetic Evening Star will be exhibited in three different versions, including a canvas from a private collection that has never been exhibited alongside the better known versions now preserved in the Musée des Augustins, Toulouse and at the Walters.

Publication

The exhibition is accompanied by a 200-page illustrated catalogue edited by Kahng and featuring in-depth essays authored by renowned specialists, Stephen Bann at the University of Bristol; Simon Kelly at the Nelson-Atkins Museum, Kansas City; Richard Shiff at the University of Texas, Austin; Charles F. Stuckey, a leading specialist in Impressionist and modern art; and Jeffrey Weiss of the Dia Art Foundation in New York. Distributed by Yale University Press, the hardcover edition will be available for $50 and the softcover for $24.95 in the Museum Store or at www.thewalters.org.

The Walters Art Museum

The Walters Art Museum is located in Baltimore’s historic Mount Vernon Cultural District at North Charles and Centre streets and is one of only a few museums worldwide to present a comprehensive history of art from the third millennium B.C. to the early 20th century. Among its thousands of treasures, the Walters holds the finest collection of ivories, jewelry, enamels and bronzes in America and a spectacular reserve of illuminated manuscripts and rare books. The Walters’ Egyptian, Greek and Roman, Byzantine, Ethiopian and western medieval art collections are among the best in the nation, as are the museum’s holdings of Renaissance and Asian art. Every major trend in French painting during the 19th century is represented by one or more works in the Walters’ collection. Visit : www.thewalters.org