Bangor, Maine - The University of Maine Museum of Art is pleased to present the second half of a two- part exhibition A Legacy of Collecting: 1983 - Present beginning December 7. A Legacy of Collecting celebrates the Five Year Anniversary of the Museum of Art's relocation to downtown Bangor. On exhibition through 5 April, 2008.

The first exhibition focused on the formative years of the Museum's Permanent Collection, 1946 - 1982, under founding director Vincent A. Hartgen. As a collector, Robert Venn Carr, Jr. amassed a robust collection of American, German and English prints. His vision encompassed benchmark examples of print-making in all forms. These include important works such as German painter Georg Baselitz's large portrait of hiswife Elke titled Akt im Lehnstuhl (Nude in Arm Chair) which the artist carved into floor vinyl, inked by hand,and then printed.

Other examples from the Carr Collection include museum favorites Mick Jagger by Andy Warhol and Roy Lichtenstein's nod to German Expressionism Reclining Nude.

The Museum of Art moved to Bangor in December 2002 and embarked on an active exhibition program that fo- cused on photography. Included in the exhibition are works by Manuel Alvarez Bravo and George Tice which were acquired after their solo exhibitions. Since its relo- cation, the museum has programmed exhibitions that highlight artists who work in Maine.

A Legacy of Collecting: 1983 - Present

A Legacy of Collecting celebrates the University of Maine Museum of Art's Permanent Collection. The first exhibit featured works accepted into the collection during the tenure of founding director Vincent A. Hartgen's incredible 37 year career. This second half of the exhibition series focuses on additions to the collection by the four directors that followed Hartgen.

Two major gifts helped shape the collection after 1983, the gift of 43 objects by American artist William Gropper and 305 works from the collection of 1938 alumnus Robert Venn Carr, Jr. Each of these gifts concentrated primarily on what had by this time become the principal focus of the museum's collection works on paper. Sophie Gropper's gift of her husband's works includes a number of important drawings made for reproduction in magazines such as Harpers and Vanity Fair.

Included in A Legacy of Collecting are works by Maine artists Paul Caponigro, Jonathan Bailey, Sam Cady, Jessica Gandolf, Bernard Langlais, Jocelyn Lee, Melville McLean, Melonie Bennett and Barbara Sullivan.

The exhibition includes works by celebrated artists Berenice Abbott, Alex Katz, Eugene Atget, John Marin, Neil Welliver, Max Beckmann, Richard Diebenkorn, Pablo Picasso, and Yvonne Jacquette, as well as a multi-panel work by Los Angeles artist Charles Garabedian, and an unusual installation in the museum's stairwell of work by John Baldessari.

Visit University of Maine Museum of Art at : www.umma.umaine.edu