The Royal Ontario Museum shows 'Shanghai 1860-1949: Historical Photographs'

Print E-mail
Friday, 28 November 2008 03:27

Tata Sam Bejan - Child beggar in Shanghai,1949 - B&W Photo 

Toronto, ON - At The Royal Ontario Museum the exhibition Shanghai 1860-1949  presents eighty historical photographs that document Shanghai’s architecture, inhabitants and way of life in the hundred years up to 1949. Shanghai’s current incarnation as China’s most modern and booming metropolis is not the first time it has held that position: in the late 19th and early 20th century, western and Chinese entrepreneurs flocked to the city, making Shanghai China’s commercial and financial hub. This period of rapid growth is shown in beautiful albumen prints, panoramic vistas and candid shots, made possible by recent gifts from Joey and Toby Tanenbaum and family albums from Jacob Way and Amelia Gertrud Way-Evans.

Tata Sam Bejan Pavement display of old LIFE magazines for sale Shanghai,1949 - B&W PhotoTwelve photographs by celebrated photographer Sam Tata examine the Chinese Civil War of 1949. These photographs, on loan from the Canadian Museum of Contemporary Photography in Ottawa, depict the inception of the Chinese Communist rule and the end of Shanghai’s reign as “Paris of the East.” On exhibition until 25 January, 2009.

Tata Sam Bejan, photojournalist, portrait photographer (of Indian descent but born in Shanghai in September 30, 1911, China). He immigrated to Canada in 1956. An unobtrusive but lively personality permitted him to witness discreetly the events surrounding the 1949 Chinese Revolution. His extraordinary work recorded life on the streets and in the courts of Shanghai in 1949; in India, he had seen the photographs of Henri Cartier-Bresson and found his approach to photography radically altered.

The recipient of various awards and honourary degrees, Tata had exhibited his work across North America and in China and India. In 1983, he published the book A Certain Identity, mostly featuring his portraits of Canadian artists, and in 1989, the Canadian Museum of Contemporary Photography published The Tata Era, a catalogue accompanying its retrospective of his career.

The Royal Ontario Museum is among the world’s leading museums of natural history, and of world cultures. Indeed, in combining a universal museum of cultures with that of natural history, the ROM offers an unusual breadth of experience to visitors and scholars from around the world. We realize more acutely now that nature and humanity are intertwined, and the ROM offers many examples in its collections and programs of these fundamental relationships. Visit : http://www.rom.on.ca/


Click on logo below to add this article to your favorite Social Website ~