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Portland Art Museum Purchases Rauschenberg

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Friday, 30 March 2007 06:44

Robert Rauschenberg Patrician

PORTLAND, OR - The Portland Art Museum announced the purchase of a major assemblage sculpture by the renowned American artist Robert Rauschenberg.  "The collections of an art museum are its core, serving as the basis for exhibitions, research, and programs," said Brian Ferriso, the Marilyn H. and Dr. Robert B. Pamplin, Jr. Director.  "The addition of this major work by Rauschenberg represents a critical next phase for the Portland Art Museum’s development as we focus our efforts on expanding and strengthening our collection.  "Patrician Barnacle (Scale), 1981, is part of Rauschenberg’s Scales and Spread series in which he returned to mixed-media and found-object collage work after almost a decade of experimentation in other forms.  The nearly eight-foot-tall wedge appears precariously balanced against a found wooden ladder evoking a sense of dependence and independence, movement and stasis.

The wedge is covered with printed fabrics, transfer photographs on fabric, oil and acrylic overpainting, and found objects. In the work, Rauschenberg seems to offer comment on the state of the world around us through imagery of nature at its most pristine and humanity’s often-harsh impact on the land.  As one moves around the work, the images change from pastoral to industrial, patrician to peasant, and the color palate shifts from light and soothing to dark and dramatic.

"I was attracted to Patrician Barnacle because of the place it occupies in his oeuvre; and its complex imagery which suggests a narrative between humanity and earth, class and social constructs, the first world and the other," commented Bruce Guenther, Chief Curator and Curator of Modern and Contemporary Art.

Patrician Barnacle (Scale) has had a distinguished exhibition history.  Since its first gallery exhibition to its installation in the Guggenheim’s monumental Rauschenberg Retrospective in 1997, the sculpture has been exhibited around the world.  This is the first unique Rauschenberg in the Museum’s collection.  To date the Museum has only had a handful of Rauschenberg multiples and editioned work to represent this protean artist’s seminal career.

The funds to purchase the sculpture were donated by Carol S. Hampton and her late husband John Hampton. "I am extremely grateful to Carol Hampton for her incredible generosity, and to Bruce for his determination in helping secure this important acquisition," said Ferriso.

About the Artist Robert Rauschenberg - Born in Port Arthur, Texas in 1925, Rauschenberg studied pharmacology and served in the navy before embarking on his career in art.  Beginning in 1947, he studied art at the Kansas City Art Institute, traveled to Paris to study at the Académie Julian on the GI Bill, attended the famed Black Mountain College in North Carolina where he met John Cage and Merce Cunningham and worked with Josef Albers, and the Art Students League.  Best-known for incorporating found objects into his work, Rauschenberg once observed, "I think a painting is more like the real world if it’s made out of the real world."  Rauschenberg’s work has been exhibited widely and he was the first American artist to win the grand prize at the Venice Biennale of 1964.




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