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Picker Art Gallery exhibits Woodcuts in Modern China, 1937-2008

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Thursday, 04 December 2008 01:19

Zhang Minjie, (Chinese, born 1959) - Dove, 1992 - Color reduction woodcut printed with oil-based inks, 17 15/16 x 22 7/8 in. Copyright: the Artist, 2008 

HAMILTON, NY - The show at the Picker Art Gallery features 60 Chinese woodblock prints: 30 pieces from Colgate’s own Herman collection and 30 woodblock prints by eleven contemporary Chinese artists. It is curated by Joachim Homann and Boston-based printmaker and curator Renee Covalucci. This group is one of only four such collections outside of China and represents the first flourishing of the modern Chinese woodcut movement during the Second Sino-Japanese War and World War II. On view through 26 April, 2009.

The 60 selected prints include several of the most recognizable woodcuts produced in 20th century China, documenting the development of the medium since the 1930s. The roster of artists features the leaders in the field, ranging from the founder of the Chinese National Woodcut Artists Association Li Hua, to Xu Bing, recently appointed vice-president of the Central Arts Academy in Beijing, and a global art star. Xu Bing will visit Colgate University on November 10, 2008 for a lecture in Golden Auditorium, Little Hall and his work will be featured in Reading Space: The Art of Xu Bing in the Clifford Gallery, January 19 – March 15, 2009.

Li Cunsung - She is working the long night shift - Woodcut 1937 - Picker Art GalleryThe show will make visible the ways in which the artists of the 1930s and 1940s influence contemporary practice in the choice of medium, subject matter, and modes of representation. And it will show how contemporary artists go beyond their teachers’ work in terms of scale, conceptual daring, and technical experimentation. A common theme that unites the generations of 20th century woodcut printers is their search for a visual language that communicates their concerns universally: to the educated and the illiterate, to city and country, and to East and West.

The Herman collection, from which 30 of the exhibited works are drawn, includes more than 200 woodcuts from the 1930s and 1940s. The collection was brought to the United States in 1948 by Theodore Herman, professor of Geography, emeritus.

The Picker Art Gallery at Colgate University seeks to engage the imaginations, stimulate the minds, and captivate the eyes of its visitors - students, faculty, staff, community members, and travelers alike. It aims to serve as a laboratory for the exploration and presentation of new ideas about and related to art; as a forum for interdisciplinary collaborations grounded in visual understanding; as a beacon of excellence in its exhibitions, projects, and publications; and as a sanctuary for the contemplation and enjoyment of art.

Visit The Picker Art Gallery at Colgate University  at : http://www.pickerartgallery.org/

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