The National Gallery of Victoria features "The Satirical Eye" |
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| Written by rubin |
| Thursday, 16 April 2009 14:36 |
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Their audacious prints range from political satires that were aimed directly at prominent public figures, to scenarios that highlight fashions, fads and social manners as subjects of mockery. Because these prints reached a wide audience, they were a catalyst for gossip and debate, and influenced the public's views on issues of the day. The exhibition also explores contemporary and subsequent satirical art in Spain and France. In 1799 the Spanish artist Francisco Goya published Los Caprichos, a series of etchings that express the values of the Enlightenment in their condemnation of prejudice, ignorance and superstition. In France the genre of visual satire had its greatest artist in Honoré Daumier, whose prints were widely circulated and enormously popular in the nineteenth century. Like all of the satirical works in the exhibition, these images reveal something about human nature, as well as commenting on historically specific situations and individuals. Since 1861, the National Gallery of Victoria has been displaying art works for the enjoyment of the community. In the mid-1990s, the gallery acknowledged that its St Kilda Road building could no longer successfully meet the demands of its growing collection and extensive exhibitions schedule. The Victorian State Government agreed to an extensive redevelopment of the site, and also contribute towards the funding of a second NGV building at Federation Square. The Collection is split between The Ian Potter Centre: NGV Australia at Federation Square, home of Australian art, and NGV International at St Kilda Road, the new redeveloped building dedicated to the gallery's magnificent international artworks. Our visitors have two wonderful NGV buildings dedicated to bringing art and people together. Visit : http://www.ngv.vic.gov.au/ Click on logo below to add this article to your favorite Social Website ~ |
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The exhibition also explores contemporary and subsequent satirical art in Spain and France. In 1799 the Spanish artist Francisco Goya published Los Caprichos, a series of etchings that express the values of the Enlightenment in their condemnation of prejudice, ignorance and superstition. In France the genre of visual satire had its greatest artist in Honoré Daumier, whose prints were widely circulated and enormously popular in the nineteenth century. Like all of the satirical works in the exhibition, these images reveal something about human nature, as well as commenting on historically specific situations and individuals. 
