Fenimore Art Museum presents 'Through the Eyes of Others:African Americans & Identity in American Art'

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Saturday, 09 August 2008 04:04

William Sidney Mount (1807-1868) - Eel Spearing at Setauket, 1845 - Oil on canvas, 28.5' x 36' Gift of Stephen C. Clark - Collection of the Fenimore Art Museum, Cooperstown, NY.


Cooperstown, NY - The Fenimore Art Museum presents Through the Eyes of Others: African Americans and Identity in American Art.  Curated by Gretchen Sullivan Sorin, Director and Distinguished Professor of the Cooperstown Graduate Program, utilizes a multitude of visual images and artifacts collected by 19th-century collector Stephen C. Clark and The New York State Historical Association.  The exhibits helps us understand the role that race has played in American culture, and the legacy that attitudes about race bring to bear on the present day. On view 23 August through 31 December, 2008.

The art of the New York State Historical Association—largely a nineteenth-century collection—includes images of African Americans that fit within two categories.  The majority of the works show us artists’ views of blacks that were acceptable to the American mainstream.  They illustrate how the nation perceived their black countrymen—seen, as W.E.B. DuBois, African American writer and intellectual, said—“through the eyes of others.”  The portraits commissioned by black artists offer viewers an alternative perspective. These self-presentations, some of which are anonymous, show individual voices and distinct personalities.  The exhibition chronicled in this catalog juxtaposes these nineteenth-century views of American life with contemporary interpretations by prominent African American artists to examine how we, as Americans, have constructed and interpreted race.

Phillip Thomas Cole Tilyard (1787-1827) Black Child, 1815-1825 Gift of Stephen C. Clark Collection of the Fenimore Art Museum, Cooperstown, NY Sorin states, "Since our perceptions of one another are grounded in that which we see, this exhibition—a new look at the collections of the New York State Historical Association, in conjunction with the work of a wide variety of African American artists—is designed as an exploration of visual culture to start the conversation anew.  Conversations about race are uncomfortable and often avoided or denounced as no longer necessary.  But such conversations are the tools that we Americans use to collectively and continuously expand our democracy."

Through the Eyes of Others: African Americans and Identity in American Art contains paintings by celebrated artists such as William Sidney Mount, Thomas Cole and African American artists including Romare Bearden, Kyra Hicks and Betye Saar—as well as a multitude of other works including drawings, photographs, woodcuts, art objects, books and ephemera.

Gretchen Sullivan Sorin is Director and Distinguished Professor of the Cooperstown Graduate Program. She has worked for more than 200 museums as an historian, exhibition curator, strategic and interpretive planner and writes about African American history and art. Major exhibitions include In the Spirit of Martin: The Living Legacy of Dr. Martin Luther King for the Smithsonian Institution Traveling Exhibition Service, Bridges and Boundaries: African Americans and American Jews for the Jewish Museum in New York City, and Freedoms’ Journals for the New York Public Library. Sorin is the author of Touring Historic Harlem: Four Walks in Northern Manhattan with Andrew Dolkart and In the Spirit of Martin: The Living Legacy of Dr. Martin Luther King, Jr.

The exhibition, which will embark upon a national tour upon closing at the Fenimore Art Museum, is funded in part through a grant from the Institute of Museum and Library Services.

William Matthew Prior (attributed) William Whipper, ca. 1835 Oil on canvas. Collection of the Fenimore Art Museum, Cooperstown, NYABOUT FENIMORE ART MUSEUM
One of the nation’s premier art institutions, the Fenimore Art Museum is home to an exceptionally rich collection of American folk art and American Indian art as well as important holdings in American decorative arts, photography, and twentieth-century art. Founded in 1945 in Cooperstown, New York, the museum is part of the New York State Historical Association (NYSHA), founded in 1899. The museum’s renowned Eugene and Clare Thaw Collection, housed in the American Indian Wing, is a masterpiece collection of more than 800 art objects, representing a broad scope of North American cultures. The collections of American folk and fine art include seminal works by Grandma Moses, Gilbert Stuart, Thomas Cole, William Sidney Mount, and Benjamin West. The museum offers a range of interactive educational programming for children, families, and adults, including lectures and workshops for museum visitors and distance learning instruction for classrooms nationwide. The museum further explores and examines our cultural history by organizing and hosting nationally touring art and history exhibitions, including Grandma Moses: Grandmother to the Nation; Treasures from Olana: The Landscapes of Frederic Edwin Church; A Deaf Artist in Early America: The Worlds of John Brewster, Jr.; and Ralph Fasanella’s America.

The Fenimore Art Museum is located on 5798 State Hwy. 80, Lake Road, in Cooperstown. The museum’s Fenimore Café, overlooking beautiful Otsego Lake, features wonderful views and a tranquil setting amid the terraced gardens.  Museum admission is $11 for adults, $9.50 for visitors age 65 and over, and $5 for children age 7 to 12; children 6 and under and NYSHA members are admitted free. Reduced price combination admission tickets that include The Farmers’ Museum and The National Baseball Hall of Fame and Museum are also available. The museum is open from April 1 through December 31; closed January through March, except for special events and school groups. For museum hours or general information, please call 1-888-547-1450 or visit www.fenimoreartmuseum.org.


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