LACMA ACQUIRES KEY 15th CENTURY VENETIAN PAINTING

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Tuesday, 26 February 2008 03:14

Madonna and Child in a Landscape, circa 1496-1499 - by Cima da Conegliano - Oil on panel, 24 3/4 x 23 3/8 inches -  Gift of The Ahmanson Foundation in memory of Robert H. Ahmanson 

Los Angeles, CA - The Los Angeles County Museum of Art (LACMA) announced the acquisition of The Madonna and Child in a Landscape by the Venetian Renaissance artist Cima da Conegliano (1459/60–1517/18), which was purchased with funds from The Ahmanson Foundation in memory of Robert H. Ahmanson. Unknown until its recent reappearance on the international art market, the painting can be traced back to British and German collections in the nineteenth and twentieth centuries.
 
Typical of the artist’s production in the last decade of the fifteenth century, it brings new focus to a distinguished group of Venetian pictures from the late fifteenth and early sixteenth centuries already in the collections of the museum. The painting will go on view immediately in the Italian Renaissance galleries on the third floor of the Ahmanson Building.
 
“Once again, we extend our deepest thanks to The Ahmanson Foundation, which has been the museum’s most generous donor over the years,” said LACMA CEO and Wallis Annenberg Director Michael Govan.The Madonna and Child in a Landscape is a truly exquisite Renaissance painting that will help underscore the continuing growth of LACMA’s European Painting and Sculpture Department.”
 
Cima da Conegliano ranks among the most important artists of the Renaissance in Venice. A painter of religious subjects, notably of numerous Madonna and Child, Cima occupies a key position between the school of Jacopo and Giovanni Bellini and the world of Giorgione and Titian. His work illustrates the stylistic shift that took place in Venice at the turn of the sixteenth century. Cima followed the example of both Jacopo and Giovanni Bellini in painting images of the Madonna and Child that were remarkable for their frontal presentation and hieratic presence, but he also imbued them with great humanity and placed them against poetic landscapes. In LACMA’s Madonna and Child, the mother carefully watching over the child precariously balanced on her lap is set against an evocative landscape: on the right, the artist depicts a small hill hamlet that may be his own hometown, Conegliano
 
J. Patrice Marandel, The Robert H. Ahmanson Chief Curator of European Art at LACMA commented on the rarity of such paintings on today’s art market and described the acquisition of the painting as, “An exceptional moment in the history of the museum, reminding us of the extraordinary contribution of The Ahmanson Foundation to the cultural fabric of the city.”
 
About LACMA
LACMA, the largest art museum in the Western United States,
leads the field in devoting a greater share of its space and programming to contemporary art than any other encyclopedic museum. With a recently expanded modern collection and a new contemporary art museum, BCAM, on its campus, LACMA offers visitors a unique lens through which to view its renowned and established collections, including particular strengths in Asian, Latin American, European, and American art.
 
General Information: LACMA is located at 5905 Wilshire Boulevard, Los Angeles, CA, 90036. For more information about LACMA and its programming, call 323 857-6000 or visit www.lacma.org .
 




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