Christie’s London sale of Victorian Art & Traditionalist Pictures in December |
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| Friday, 21 November 2008 03:58 |
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Also of considerable importance is a rediscovered Pre-Raphaelite roundel Paolo and Franscesca, 1894 (estimate: £250,000-350,000), by Sir Frank Dicksee, P.R.A. (1853-1928). The style and content of this work epitomises the passion and tragedy which was celebrated internationally during the Romantic period. The sale as a whole is expected to realise in the region of £3 million. The protégé of Frederic, Lord Leighton and a close friend of Sir John Everett Millais (1829-1896), Peruguni was born in Naples but grew up in England where he married the daughter of novelist Charles Dickens, Kate. This grand group-portrait, of the Countess of Granville and her daughters, firmly established the artist’s reputation within the highest ranks of British portraiture from Sir Joshua Reynolds (dates) onwards. Female portraits featured elsewhere in the sale include the direct steady gaze of the subject in Sir George Clausen’s, R.A., RWS, R.I, (1852-1944) In the Street, 1880 (estimate: £150,000-250,000); the contemplative peacefulness of the fresh-faced sitter in The Wedding Dress, 1889, by Thomas Benjamin Kennington, R.B.A., N.E.A.C. (1856-1916) (estimate: £100,000-150,000); the alluring self-possessed awareness of the odalisque in the Hon. John Collier’s (1850-1934) Pomps and Vanities (estimate: £120,000-180,000) and the seductive beauty in the re-discovered painting Mischief and Repose, 1909 by John William Godward, R.B.A. (1861-1922) (estimate: £150,000-250,000). Having been missing for half a century, it is amongst the finest examples of Godward’s oeuvre. It reflects both his masterful ability of depicting texture and surface, as demonstrated in his portrayal of the rug and the floor, and also his highly skilled use of colour and shade. A group of four works by John Atkinson Grimshaw (1836-1893) includes a rare portrait Blue Belle, 1877 (estimate: £70,000-100,000), which is believed to be of his daughter Enid. The objets d’art which surround the little girl typify not only Victorian eclecticism but also the artist’s personal tastes in collecting, as it is set in his home Knostrop Hall, a Jacobean Manor House outside Leeds. Further notable landscapes include another moonlit scene, Lesser Light to Rule the Night, 1873 (estimate: £20,000-30,000) by John Samuel Raven (1829-1877). This remarkably atmospheric painting, executed by an artist whom Ruskin praised for his application of elaborate and rich detail and colour, can be positioned amongst some of the greatest Romantic works to have been painted by British artists. Visit Christie's at : http://www.christies.com/ Click on logo below to add this article to your favorite Social Website ~ |
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