NEW YORK CITY - Since the early 1990s, Catherine Opie has produced a complex body of photographic work, creating series of images that explore notions of communal, sexual, and cultural identity. From her early portraits of queer subcultures to her expansive urban landscapes, Opie has offered profound insights into the conditions in which communities form and the terms in which they are defined. All the while she has maintained a strict formal rigor, working in lush and provocative color as well as richly toned black and white. On view 26 September through 7 January, 2009 at the Guggenheim Museum in New York.

Influenced by social documentary photographers such as Walker Evans, Dorothea Lange, and August Sander, Opie underscores and elevates the poignant yet unsettling veracity of her subjects.

Catherine Opie: American Photographer  brings together nearly 200 of the artist's photographs in a major mid-career survey, offering the most comprehensive presentation of her work to date. Including works from the series Being and Having (1991); Portraits (1993-97); Freeways (1994-95); Houses (1995-96); Domestic (1995-98); Mini-malls (1997-98); Large-Format Polaroids (2000); Wall Street (2001); Icehouses (2001); Surfers (2003); Chicago (2004); and In and Around Home (2004-05), the exhibition will provide audiences with an unprecedented opportunity to examine the many interconnections between Opie's diverse bodies of work.

'Catherine Opie: American Photographer' will gather together significant examples from several of Opie’s most important series in a major mid-career survey.