London - White Cube is pleased to present a new group work by the American artist Carroll Dunham.  Dunham is renowned for exuberant drawings and paintings that depict the libidinous energy, violence and restless anxiety of American culture.  On exhibit until 9 December, 2006.

In the early 1980s, Dunham created paintings that explored traditions of American abstraction, finding bodily forms such as knots, nipples and wrinkles in the wood grain that he integrated into the composition of each work.  He then developed a semi-figurative language of organic forms that has evolved, over the past decade, into recognizable figures that inhabit an amoral playground, where characters brandish their genitalia like weapons and bits of fleshy forms share the canvas with visceral marks and splatters of paint.  This exhibition will feature a series of five paintings titled 'In Red Space' and a sixth called Mule.  A group of drawings related to the paintings will also be exhibited.

The series of 'In Red Space' paintings that form the core of the show depict an American everyman in a blue shirt, grey suit and an iconic men’s hat from another era.  While the formal qualities of these canvases bring to mind the geometric abstraction prominent in mid-century America, the figure looks like a schematic diagram of the idealized 1950s Father, all buttoned-up and rigid.  Despite his workaday appearance, his face has been transformed into male genitalia, his nose half phallus, half musical instrument, and his body and face flattened into jigsaw puzzle-like patterns.  In a painting such as In Red Space (four), the figurative elements are difficult to recognize, the suit reduced to a bar of grey along the right edge of the painting, the back of the head to a grey triangle with two bulbous appendages.  The rich red background only underlines the rigor mortis of the figure and the air of repressed desire.