Baltimore Museum of Art presents works by Pierre Bonnard and Édouard Vuillard

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Thursday, 24 April 2008 03:37

Pierre Bonnard - Basket of Fruit. 1924 - Baltimore Museum of Art: Partial & promised gift of Mr.& Mrs. Anthony W. Deering, Baltimore, 2005.141. - ©Artists Rights Society (ARS), NY


Baltimore, MD - The Baltimore Museum of Art presents a luminous two-gallery exhibition of works by Pierre Bonnard and Édouard Vuillard—two modern masters whose experimental work inspired artists from Henri de Toulouse-Lautrec to Henri Matisse. On view April 23 through August 10, 2008, Bonnard & Vuillard features more than 30 works that explore the profound impact both Pierre Bonnard (1867–1947) and Édouard Vuillard (1868–1940) had on each other as they evolved from a late 19th-century interest in everyday life to a colorful exploration of domestic life in interior scenes into the 1930s.

The exhibition presents four paintings, three drawings, and over 30 lithographs, etchings, posters, and illustrated books drawn from the BMA’s outstanding collection that showcase the change in style for both artists as they Edouard Vuillard The Pastry Shop - 1899 Baltimore Museum of Art ©Artists Rights Society (ARS),NYprogressed through their artistic careers. Highlights include a series of six printer’s proofs for The Pastry Shop by Vuillard that demonstrate the multi-step printing process for these highly complicated and innovative color prints, Bonnard’s revolutionary poster from 1894 for the literary journal La Revue blanche, and his Woman with Basket of Fruit, which features dramatic compositional elements that are reminiscent of Japanese wood-block prints.

Bonnard and Vuillard met in art school in the 1880s and became lifelong friends. Like many artists in Paris at the turn of the century, they moved beyond Impressionism to embrace a more complex style of visual communication. In 1889, Bonnard and Vuillard became important members of the Nabis, a group of young artists inspired by the work of Paul Gauguin and Japanese prints who experimented with flat, patterned surfaces, arbitrary color, and expressive line in their paintings and works on paper. Bonnard was the member most fascinated with Japanese art, and worked easily in a variety of mediums, particularly color lithographs, posters, theater programs, andPierre Bonnard La Revue blanche,1894 Baltimore Museum of Art: Print Fund, 1951- ©Artists Rights Society (ARS), NY book illustrations where his striking simplifications of form and his bold use of bright colors were at their best. Vuillard was involved with various theater projects as a young artist, designing costumes, scenery, and programs for many performances.

The Baltimore Museum of Art is home to an internationally renowned collection of 19th-century, modern, and contemporary art. Founded in 1914 with a single painting, the BMA today has 90,000 works of art—including the largest holding of works by Henri Matisse in the world. Throughout the Museum, visitors will find an outstanding selection of European and American fine and decorative arts, 15th- through 19th-century prints and drawings, contemporary art by established and emerging contemporary artists, and objects from Africa, Asia, the Ancient Americas, and Pacific Islands. Two beautifully landscaped gardens display an array of 20th-century sculpture that is an oasis in the city.

Visit The Baltimore Museum of Art at :
www.artbma.org/


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