The William Benton Museum of Art Shows "The Art of Dr. Seuss"

Written by Abigail Thornton Wednesday, 28 December 2011 21:26

Storrs, CT.- The William Benton Museum of Art is proud to present a retrospective of works by "America's favorite illustrator," a small but comprehensive exhibition of rare original works by Ted Geisel, a.k.a. Dr. Seuss. This engaging collection showcases some of his earliest sketches of the Cat in the Hat and Horton the Elephant, and shows how his iconic and beloved characters evolved during his lifetime. The exhibition includes published illustrations, political cartoons, sketches, drawings, sculpture, prints, and whimsical paintings created in the artist’s later years, along with panels, labels and music from some of the most popular animated treatments of "The Grinch," "Horton Hears a Who," “Seussical,” and "Gerald McBoing Boing." The Art of Dr. Seuss brings together loans from private collections and Animazing Gallery in New York. "The Art of Dr. Seuss" is on view at the museum.

Theodor Seuss Geisel was born in Springfield, Massachusetts, to Theodor Robert and Henrietta (Seuss) Geisel. Geisel attended Springfield's Classical High School, and entered Dartmouth College in fall 1921 as a member of the Class of 1925. At Dartmouth, he joined the Sigma Phi Epsilon fraternity and the humor magazine Dartmouth Jack-O-Lantern, eventually rising to the rank of editor-in-chief. While at Dartmouth, Geisel was caught drinking gin with nine friends in his room. As a result, Dean Craven Laycock insisted that he resign from all extracurricular activities, including the college humor magazine. To continue work on the Jack-O-Lantern without the administration's knowledge, Geisel began signing his work with the pen name "Seuss". His first work signed as "Dr. Seuss" appeared after he graduated, six months into his work for The Judge where his weekly feature Birdsies and Beasties appeared. Geisel was encouraged in his writing by professor of rhetoric W. Benfield Pressey, whom he described as his "big inspiration for writing" at Dartmouth. After Dartmouth, he entered Lincoln College, Oxford, intending to earn a Doctor of Philosophy in English literature. At Oxford, he met his future wife, Helen Palmer; he married her in 1927, and returned to the United States without earning a degree. He began submitting humorous articles and illustrations to Judge, Life, Vanity Fair, and Liberty. The July 16, 1927 issue of the The Saturday Evening Post published his first cartoon under the name Seuss. He became nationally famous from his advertisements for Flit, a common insecticide at the time. His slogan, "Quick, Henry, the Flit!" became a popular catchphrase. Geisel supported himself and his wife through the Great Depression by drawing advertising for General Electric, NBC, Standard Oil, and many other companies. In 1935, he wrote and drew a short-lived comic strip called Hejji. In 1937, while Geisel was returning from an ocean voyage to Europe, the rhythm of the ship's engines inspired the poem that became his first book, And to Think That I Saw It on Mulberry Street! As World War II began, Geisel turned to political cartoons, drawing over 400 in two years as editorial cartoonist for the left-leaning New York City daily newspaper, PM.

Geisel's political cartoons, later published in Dr. Seuss Goes to War, denounced Hitler and Mussolini and were highly critical of non-interventionists ("isolationists"). His cartoons were strongly supportive of President Roosevelt's handling of the war, combining the usual exhortations to ration and contribute to the war effort with frequent attacks on Congress (especially the Republican Party), parts of the press (such as the New York Daily News, Chicago Tribune and Washington Times-Herald), and others for criticism of Roosevelt, criticism of aid to the Soviet Union, investigation of suspected Communists, and other offenses that he depicted as leading to disunity and helping the Nazis, intentionally or inadvertently. In 1942, Geisel turned his energies to direct support of the U.S. war effort. First, he worked drawing posters for the Treasury Department and the War Production Board. Then, in 1943, he joined the Army and was commander of the Animation Dept of the First Motion Picture Unit of the United States Army Air Forces, where he wrote films that included Your Job in Germany, a 1945 propaganda film about peace in Europe after World War II, Our Job in Japan, and the Private Snafu series of adult army training films. While in the Army, he was awarded the Legion of Merit. Our Job in Japan became the basis for the commercially released film, Design for Death (1947), a study of Japanese culture that won the Academy Award for Documentary Feature. Gerald McBoing-Boing (1950), which was based on an original story by Seuss, won the Academy Award for Animated Short Film. After the war, Geisel and his wife moved to La Jolla, California. Returning to children's books, he wrote many works, including such favorites as If I Ran the Zoo, (1950), Horton Hears a Who! (1954), Horton Hatches the Egg (1954), If I Ran the Circus (1956),The Cat in the Hat (1957), How the Grinch Stole Christmas (1957) and Green Eggs and Ham (1960). Although he received numerous awards throughout his career, Geisel won neither the Caldecott Medal nor the Newbery Medal. Three of his titles from this period were, however, chosen as Caldecott runners-up (now referred to as Caldecott Honor books): McElligot's Pool (1937), Bartholomew and the Oobleck (1939), and If I Ran the Zoo (1950).

Dr Seuss also wrote the musical and fantasy film The 5,000 Fingers of Dr. T, which was released in 1953. The movie was a critical and financial failure, and Geisel never attempted another feature film. During the 1950s he also published a number of illustrated short stories, mostly in RedBook Magazine. Some of these were later collected (in volumes such as The Sneetches and Other Stories or reworked into independent books (If I Ran the Zoo). A number have never been reprinted since their original appearances. In May 1954, Life magazine published a report on illiteracy among school children, which concluded that children were not learning to read because their books were boring. Accordingly, William Ellsworth Spaulding, the director of the education division at Houghton Mifflin who later became its Chairman, compiled a list of 348 words he felt were important for first-graders to recognize and asked Geisel to cut the list to 250 words and write a book using only those words.  Spaulding challenged Geisel to "bring back a book children can't put down." Nine months later, Geisel, using 236 of the words given to him, completed "The Cat in the Hat". It retained the drawing style, verse rhythms, and all the imaginative power of Geisel's earlier works, but because of its simplified vocabulary could be read by beginning readers. The Cat in the Hat and subsequent books written for young children achieved significant international success and they remain very popular today.

Geisel went on to write many other children's books, both in his new simplified-vocabulary manner (sold as Beginner Books) and in his older, more elaborate style. The Beginner Books were not easy for Geisel and reportedly took him months to complete. Geisel died of throat cancer on September 24, 1991, following several years of poor health, in San Diego, California. He was cremated and his ashes were scattered. On December 1, 1995, four years after his death, UCSD's University Library Building was renamed Geisel Library in honor of Geisel and Audrey for the generous contributions they made to the library and their devotion to improving literacy.

The William Benton Museum of Art has a proud past, a vibrant present and an exciting future. The Benton opened officially in 1967, but its roots go back to the early twentieth century and the days of the Connecticut Agricultural College, which evolved into the University of Connecticut. The building that housed the original Museum was constructed in 1920 and served as The Beanery,? the campus' main dining hall until the mid-1940s. The small, elegantly designed College Gothic structure, with its gracious sculpture garden, is among the core campus buildings that are listed on the National Register of Historic Places. The Museum collection traces its beginnings to College President Charles Lewis Beach who bequeathed his impressive holdings of American art to the University on his death in 1933, along with a trust fund for future acquisitions. It was President Beach's intent that the collection "instill and cultivate an appreciation of works of art in the student body of the College and in such other persons as may avail themselves of said collection." This original collection included works by Childe Hassam, Henry Ward Ranger, Emil Carlson, Charles H. Davis, Ernest Lawson and Guy Wiggins. Since then, the Benton has added works by such renowned artists as Mary Cassatt, Thomas Hart Benton, Fairfield Porter, George Bellows, Rembrandt Peale, Georges Braque, Gustav Klimt, Edward Burne-Jones, Maurice Prendergast and Kiki Smith.


In 1965, Dr. Walter Landauer, an internationally recognized geneticist and professor, gave the University 107 Käthe Kollwitz prints and drawings. In 1966, during the Presidency of Dr. Homer Babbidge, these treasures and the Beach Collection, which by then included works by such well-known artists as Mary Cassatt, George Bellows and others, found a home at the Museum later named in honor of prominent Connecticut Senator and University trustee William Benton. His family generously donated to the Museum some of his sizable collection of Reginald Marsh paintings and works by other important 20th century American artists. Today the Museum has an exceptionally fine collection of more than 5,500 works including paintings, drawings, watercolors, prints, photographs, and sculptures. The future is bright for the Benton with the new addition including the Evelyn Simon Gilman Gallery, new and refurbished galleries and lecture areas, an elegant Members Lounge, Café Muse, and The Store. This expansion serves to enhance the Benton's reputation as a museum of significance, a vital part of the University environment, and an important art venue in the Northeast. Visit the museum's website at ... http://www.thebenton.org

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