1. The Flag Art Foundation Features 2 New Exhibitions in NYC

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    artwork: Roy Lichtenstein - "Figures in Landscape", 1985 - Oil and Magna on canvas - 108" x 144". © Estate of Roy Lichtenstein. On view at the Flag Art Foundation, New York City in "Art²" until December 17th.

    New York City.- The Flag Art Foundation is pleased to present 2 new shows. "Art²" is a group show featuring contemporary artists referencing another artist, while Jane Hammond’s installation "Fallen" honors U.S. soldier killed in Iraq. The title of the exhibition, "Art²", refers to the use of a specific work of art in the visual language of an original work of art. Whether a literal transcription or a point of departure, the featured artists quote from artists ranging from those of their own generation to those from decades, and even centuries before. These works stand on their own while adding another layer of meaning to what may seem familiar at first glance, exploring the constant flux of art, in which artists reimagine and incorporate past works, to ultimately unlock ways in which our visual history informs our present. Both exhibitions will remain on view through December 17th.


    Barry X Ball’s sculpture, "Purity", directly references Antonio Corradini’s titled, La Purità (c.1720-25) yet adds and subtracts subtle details in composition and medium. Ball’s sculptural process involves a complex array of cutting edge technology and procedures, including 3-dimensional scanning, digital modeling, and computer-controlled milling as well as traditional modes such as, detailed hand carving and polishing. In "Wild Horses", Glenn Brown distorts Jean Baptiste-Greuze’s Innocence (c.1790), a portrait of a young woman with a cherub-like face, draped in a swath of fabric tenderly cradling a lamb in her arms. Brown transforms the seemingly romantic image of purity and youth into a representation of the bizarre and the grotesque; the woman’s eyes have no pupils and her flesh morphs into swirling brushstrokes of acid yellow, and the lamb is displayed as a vivid red with green eyes. By recontextualizing and mutating the original image, Brown imbues it with another reading, inviting the viewer to examine the medium, the subject and the notion of beauty.

    artwork: Glenn Brown - "Wild Horses", 2007 - Oil on Panel - 133 x 102 cm Courtesy of the artist and Gagosian Gallery, NY

    artwork: Chris Ofili - "Dancers - (red hand)", 2007 Acrylic on canvas - 36" x 24" Courtesy of the artist. On view at the Flag Art Foundation, NY Awol Erizku’s, "Girl with a Bamboo Earing", reimagines Vermeer's "Girl with a Pearl Earring" (c. 1665) within contemporary life. Erizku’s photograph depicts a female sitter in the same pose and attire as Vermeer’s subject, but replaces the recognizable Dutch female with an African-American female. That Erizku decides to replace and rewrite this iconic image emphasizes and draws critical attention to cultural and social constructs embedded in the complex art history canon.

    Jane Hammond’s "Fallen" is a monumental ongoing sculpture that the artist has worked on continuously for seven years. This haunting memorial consists of a low rectangular platform layered with a vast multitude of brilliant fall leaves. Each leaf is unique, handmade by the artist, and inscribed by her with the name of a U.S. soldier killed in Iraq. This exhibition at the Flag Art Foundation will begin with 4455 leaves. As a memorial, Hammond’s Fallen is unusual in that it emphasizes the singularity of each individual by making his or her leaf unique. The light and delicate materials subvert the traditional expectations of enduring materials such as bronze and stone in favor of an expression of the fragility and ephemerality of life. The artist has said:  “There is something about leaves in the autumn, at the zenith of their coloration that is transcendent: they are both dematerializing and intensifying simultaneously. As their bodies become lighter, their color is becoming more and more radiant. I’ve tried to gather leaves just at this moment when the chroma is so strong it transcends the body of the leaf and becomes a kind of pure light.  It rhymes with the idea of the spirit but in a way that is accessible and earthly.  It’s more Emerson than Aquinas.” Born in Bridgeport, CT in 1950, Hammond received her BA from Mount Holyoke College in 1972 and her MFA from the University of Wisconsin-Madison in 1977. Her work can be found in over fifty major public collections including the Whitney Museum of American Art, the Museum of Modern Art, the Metropolitan Museum of Art, the Chicago Art Institute, the National Gallery of Art and the San Francisco Museum of Modern Art. Hammond currently lives and works in New York.

    The Flag Art Foundation is an exhibition space for contemporary art. The program includes 3 to 5 professionally-curated shows each year. Each consists of works by established and emerging international artists. They are located on the 9th and 10th floors of the Chelsea Arts Tower located in the heart of New York’s art district on 25th St between 10th and 11th Avenues. Their objective is to encourage the appreciation of contemporary art among a diverse audience. FLAG provides a unique educational environment in which visitors can view, contemplate, and engage in active dialogue with the artworks. Curators select and borrow from a variety of sources to include a wide range of work in each exhibition. FLAG is also a resource that facilitates loans of contemporary artworks to museums around the world. An extensive database of available works is maintained and made available to curators. Visit the foundation's website at ... http://www.flagartfoundation.org


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