1. Hamburger Bahnhof Opens Major Exhibition of American Artist Bruce Nauman

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    artwork: US artist Bruce Nauman - 'Five Marching Men'(1985)  in Berlin, Germany. The exhibition 'Dream Passage' opened 28 May at the Nationalgalerie im Hamburger Bahnhof and will be on display until 10 October 2010.

    BERLIN.- The Nationalgalerie im Hamburger Bahnhof is presenting Bruce Nauman. "Dream Passage", the first major exhibition of the American artist Bruce Nauman in Berlin. The exhibition is being held on the occasion of the installation of the spectacular architectural sculpture Room with My Soul Left Out, Room That Does Not Care from 1984, which was recently donated to the Nationalgalerie by the collector Friedrich Christian Flick. Close cooperation with the artist meant that this work, extreme in every meaning of the word, could be installed on a permanent basis. The sculpture is made of three intersecting corridors, of a series of works called Dream Passage which was inspired by a dream of the artist.

    An exceptional presentation of some outstanding examples of the artist’s “experience architecture” will be on show in the central hall of the museum. At the end of the 1960s, Nauman began constructing corridors and spaces that could be entered by visitors and which evoked the experience of being locked in, of being abandoned and of spatial uncertainty. The complex work Corridor Installation (Nick Wilder Installation) from 1970, where visitors are recorded by a video camera and then confronted with their own image, will also be exhibited. Corridor with Mirror and White Lights (1971) cannot be entered. Nevertheless, this work evokes the impression of the viewer getting closer to his or her own reflection in the mirror.

    artwork: Bruce Nauman - NoNo, 1983 - Neon, 27.9 x 93.3 x 5.4 cm. Friedrich Christian Flick Collection im Hamburger Bahnhof © VG Bild-Kunst, Bonn 2010. - Foto: Roman März, BerlinExplicit political connotations have been a major focus of Nauman’s work since the beginning of the 1980s, for example, in sculptures where hanging metal chairs are used – like Musical Chair from 1983 – illustrating the artist’s critique of torture and violence used in totalitarian regimes. Complex neon works like American Violence, 1981-82 or Sex and Death / Double 69, 1985 for their part explore the connections between sex, violence and death.

    On the occasion of the exhibition Dream Passage, further works by Bruce Nauman are on display in the Rieckhallen of Hamburger Bahnhof; here they enter into dialogue with works from the museum’s collections by the artist’s contemporaries, like Robert Morris, Eva Hesse, Richard Jackson or Nikolaus Lang and younger artists like Absalon and Manfred Pernice.

    At the end of the passage through the Rieckhallen, visitors encounter the sculpture Room with My Soul Left Out, Room That Does Not Care, which can be related to the “experience architectures” from the oeuvre of the artist, which are on display in the historical hall of the museum. The sculpture is also one of a total of five large-format works from 1983, 1984 and 1988 that constitute the series Dream Passage.

    The exhibition benefits from the unique selection of works by the artist in the Friedrich Christian Flick Collection, which have been lent to the Nationalgalerie. These are complemented by significant loans from the Art Institute of Chicago, the Guggenheim Museum in New York, the Philadelphia Art Museum and the Tate Modern in London. Visit : http://www.smb.museum/smb/home/index.php


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