Otto Dix One-Man Exhibition at The Neue Galerie New York

Written by Olaf Peters Wednesday, 02 March 2011 00:06

NEW YORK, NY.- From March 11 to August 30, 2010, Neue Galerie New York presents “Otto Dix,” the first one-man museum exhibition of works by this major German artist ever held in North America. Organized by Olaf Peters, Professor of Modern Art History and Art Theory at the Martin-Luther-University Halle-Wittenberg, the show contains more than 100 masterpieces from the United States, Canada, and Europe. After its run at the Neue Galerie, the exhibition will travel to the Montreal Museum of Fine Arts.

More than almost any other German painter, Otto Dix (1891-1969) and his works have profoundly influenced the popular notion of the Weimar Republic. His paintings were among the most graphic visual representatives of that period, exposing with unsparing and wicked wit the instability and contradictions of the time.

The exhibition addresses four themes. The first is Dix’s traumatic experiences as a soldier in World War I. The second is portraiture, a genre at which the artist excelled. The third is sexuality, a key theme in the Dix oeuvre. The fourth is religious and allegorical painting. The show includes the work that Dix is best know for—paintings from the so-called “golden Weimar years”—but to contextualize them, it also includes Dix’s work from the early 1920s, as well as his later work, produced as veiled protest against the Third Reich.

Neue Galerie New York is a museum devoted to early twentieth-century German and Austrian art and design, displayed on two exhibition floors. The second-floor galleries are dedicated to art from Vienna circa 1900, exploring the special relationship that existed then between the fine arts (of Gustav Klimt, Egon Schiele, Oskar Kokoschka, Richard Gerstl, and Alfred Kubin) and the decorative arts (created at the Wiener Werkstätte by such well-known figures as Josef Hoffmann, Koloman Moser, and Dagobert Peche, and by such celebrated architects as Adolf Loos, Joseph Urban, and Otto Wagner).

Our museum’s name (which means “new gallery”) has its historical roots in various European institutions, artists’ associations, and commercial galleries, foremost the Neue Galerie in Vienna, founded in 1923 by Otto Kallir. All sought to capture the innovative, modern spirit they discovered and pursued at the turn of the twentieth century. Our institution thus reflects a dual commitment: an embrace of the city in which we are located and a focus on the culture upon which our exhibitions and collections are based. Two of the principal goals of the Neue Galerie New York are to bring a sense of perspective back to Germanic culture of this period, and to make the best of this work available to American and other audiences for both scholarly and aesthetic inquiry.

Visit Neue Galerie New York at : http://www.neuegalerie.org/

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