Milwaukee Art Museum opens Exhibition of 1940s & '50s' Street Photography

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Written by Lisa Hostetler   
Sunday, 31 January 2010 01:14

Ted Croner - "New York", 1947 - Gelatin silver print, 11 x 13 7/8 in. The Museum of Modern Art, New York. Gift of the photographer ©Ted Croner Estate. Digital Image /  ©The Museum of Modern Art/Licensed by SCALA/Art Resource, NY

MILWAUKEE, WI.- A unique and pivotal moment in American history will be explored in Street Seen: The Psychological Gesture in American Photography 1940-1959, on view at the Milwaukee Art Museum January 30 through April 25, 2010. The exhibition, which showcases urban street photography from the 1940s and ‘50s, provides new insight into a time when the photographic medium and American society were both at a cultural crossroads.

“The essence of the images captured in Street Seen suggest some compelling parallels to today’s society, in terms of how we struggle to carve out our place in an increasingly anonymous world,” says Lisa Hostetler, Curator of Photographs, Milwaukee Art Museum. “The photographs have a universal quality that transcends time and place to tell a human story. Many of the images capture scenes that could just as easily be present day Milwaukee as post-World War II New York City.”

Saul Leiter - Reflection, 1958 Silver dye bleach print, printed later, 13 7/16 x 9 in. Milwaukee Art Museum, Purchase, Richard and Ethel Herzfeld Foundation Acquisition Fund,  ©Saul LeiterWith more than 100 images, the exhibition focuses on the work of six important photographers. Among the highlights are Lisette Model’s unflinching look at the cacophony of the urban environment; Louis Faurer’s empathetic portraits of eccentrics in Times Square; Ted Croner’s haunting night images; Saul Leiter’s glimpses of elusive moments; William Klein’s graphic, confrontational style; and Robert Frank’s documentation of American ideals gone awry.

The exhibition also includes work by Robert Capa, Henri Cartier-Bresson, Walker Evans, W. Eugene Smith, Helen Levitt and Weegee, among others, to demonstrate how the photographers were influenced by documentary photography and photojournalism, but ultimately differed from their predecessors and contemporaries.

Refuting the common claim that photojournalism was the only significant photographic activity at the time, Street Seen uncovers a crucial time in American art, when global media was in its adolescence and photography was just beginning to achieve recognition in the contemporary art world. It is the first major examination of street photography of the 1940s and ‘50s in nearly 20 years.

“Abstract Expressionism, film noir, and Beat poetry are all widely recognized aftershocks of World War II, but the significance of creative photography during that time has been largely ignored,” says Hostetler. “However, the way in which the images in Street Seen evoke strong emotion, in a subtle and unsentimental way, makes this exhibition undeniably appealing on a human, universal level.”

The Milwaukee Art Museum collects and preserves art, presenting it to the community as a vital source of inspiration and education. 20,000 works of art. 300,000+ visitors a year. 120 years of collecting art. From its roots in Milwaukee’s first art gallery in 1888, the Museum has grown today to be an icon for Milwaukee and a resource for the entire state.

Visit the Milwaukee Art Museum at : http://www.mam.org/


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