Gagosian Gallery Publishes Definitive Survey of Jeff Koons's Hulk Elvis Paintings |
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| Written by Abel Sterling |
| Sunday, 20 December 2009 02:03 |
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From the outset of his controversial career, Jeff
Koons turned the traditional notion of the work of art and its context inside
out. Focusing on unexpected yet banal objects as models for his work, he
eschewed typical standards of "good taste" in art, instead embracing what he
perceives as conventional middle-class values in order to expose the
vulnerabilities of aesthetic hierarchies and value systems. Koons’s declared
strategies are to make art beautiful, to strive for objectivity, to give back
the familiar, and to reflect, and thus empower, the viewer. The works of Koons’s series Hulk Elvis burst with energy and precision yet mystify with their complex permutations and combinations of figurative and abstract elements. A charged mix of inflatable monkeys, geishas, birds, the Incredible Hulk, and the Liberty Bell jostle against realistically rendered landscapes, gestural paintings, steam engines and horse-drawn carriages, negative silhouettes, and underlying dot screens. Jeff Koons was born in 1955 in York , Pennsylvania . He received his B.F.A. at the Maryland Institute College of Art in Baltimore and studied at the School of the Art Institute of Chicago. His work has been widely exhibited internationally in solo and group exhibitions. Recent solo shows include the Museo Archeologico Nazionale di Napoli (2003), the Astrup Fearnley Museum of Modern Art , Oslo (2004), which traveled to the Helsinki City Art Museum (2005); Museum of Contemporary Art , Chicago (2008); "Jeff Koons: Versailles ", Chateâu de Versailles , France (2008); and the Neuer Nationalgalerie Berlin (2008–9). Koons lives and works in New York City . Visit : http://www.gagosian.com/ Click on logo below to add this article to your favorite Social Website ~ |
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From the outset of his controversial career, Jeff
Koons turned the traditional notion of the work of art and its context inside
out. Focusing on unexpected yet banal objects as models for his work, he
eschewed typical standards of "good taste" in art, instead embracing what he
perceives as conventional middle-class values in order to expose the
vulnerabilities of aesthetic hierarchies and value systems. Koons’s declared
strategies are to make art beautiful, to strive for objectivity, to give back
the familiar, and to reflect, and thus empower, the viewer. 
