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The Museo Thyssen-Bornemisza displays "Tears of Eros" a Major Exhibition

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Written by Noble Anderson   
Saturday, 02 January 2010 01:14

Max Ernst - The Kiss (Le baiser), 1927 - Oil on canvas - 129 x 161,2 cm. Peggy Guggenheim Collection. Venice (Solomon R. Guggenheim Foundation, NY) Photo: David Heald / “Photograph © 2009 The Solomon R. Guggenheim Foundation”

MADRID, SPAIN - The Museo Thyssen-Bornemisza and Fundación Caja Madrid are presenting Tears of Eros, a major exhibition devoted to the torments of passion: the dark side of sexual desire. The title of the exhibition is taken from the book by the French writer Georges Bataille, Les larmes d’Eros, and is based on a number of his ideas on eroticism, such as the prohibition / transgression dialectic and the identification of the erotic with religious sacrifice. On exhibition through 31 January, 2010

The exhibition has a global, pansexual character, covering the widest range of orientations and types of desire: the male and female gaze and the heterosexual and homosexual one, voyeurism and exhibitionism, bondage and sadomasochism, and the different varieties of fetishism. All these differing aspects are to be found within the compendium of the myths of Eros, both those deriving from the Greco-Roman Olympus and those originating in the Bible. The present exhibition illustrates the survival of these myths up to the present day and their transformation in the modern era, a process that has given them new, perverse meanings.

The exhibition, which features 120 works including paintings, sculptures, photographs and videos, is organised thematically with each gallery devoted to one of the great myths of Eros. The central section runs from Romanticism to Symbolism and from there to Surrealism and contemporary art, while also including flashbacks to the Renaissance and Baroque. Within each section there is an emphasis on the dialogue between the art of earlier centuries and contemporary creation. Through different periods and artistic media the visitor will see a number of symbolic motifs constantly reappearing, including tears, the wave and sea foam, hair, the serpent, cords for tying the flesh, etc, all of which define the image of the immortal but always changing figure of Eros.

Visit the Museo Thyssen-Bornemisza at : www.museothyssen.org


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