Noted Artists Create Works Inspired by Met's New Opening Night Opera Production |
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| Written by Danny Levi |
| Wednesday, 16 September 2009 03:21 |
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Conceived and organized by Gallery Met Director Dodie Kazanjian, the
exhibition takes its cue from a plot point in the opera. In the first scene of
Tosca, the painter Mario Cavaradossi is returning to work on a portrait of Mary
Magdalene when his lover, the singer Tosca, enters and realizes he’s chosen
another woman as his model; his Magdalene’s eyes are blue and Tosca’s are brown.
With this in mind, Ms. Kazanjian asked the artists to come up with their own
visions of one of the Bible’s most famous figures. “Artists throughout history have portrayed Mary Magdalene” says Kazanjian. “Why not get a contemporary crop to do so? When I approached these artists to create something for the exhibit, they responded with enthusiasm and came through magnificently.” One of those artists was James Rosenquist, who last April lost about $14 million worth of art, archives, every tube of paint, and piece of canvas when his Florida home and studio burned to the ground. His painting Tosca 2009 is his first work since then; that painting has also been reproduced as the front-of-house banner for the Met, announcing the new season. Gallery Met is free and open to the public six days a week. The hours are Monday through Friday 6:00 pm through the last intermission, and Saturdays from noon through the last intermission. In February, Gallery Met will present another exhibition, the work of artist William Kentridge, in connection with the premiere of his new production of Shostakovich’s The Nose. Located in the Met's south lobby, the Arnold and Marie Schwartz Gallery Met hosts works by some of the contemporary art world's most innovative and provocative figures. Created by General Manager Peter Gelb and curated by Dodie Kazanjian, the venue continues and reaffirms the Met's long history of groundbreaking relationships with major visual artists-such as Chagall and Hockney-while fostering new opportunities for collaboration. The Schwartz Gallery Met is open every day, and admission is free to ticket holders and the general public. An extraordinary $1 million gift from Marie Schwartz, an Advisory Director on the Met Board, has made this initiative possible, and in recognition the Met has named the gallery for her and her late husband, Arnold. Visit : http://www.metoperafamily.org/ Click on logo below to add this article to your favorite Social Website ~ |
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Conceived and organized by Gallery Met Director Dodie Kazanjian, the
exhibition takes its cue from a plot point in the opera. In the first scene of
Tosca, the painter Mario Cavaradossi is returning to work on a portrait of Mary
Magdalene when his lover, the singer Tosca, enters and realizes he’s chosen
another woman as his model; his Magdalene’s eyes are blue and Tosca’s are brown.
With this in mind, Ms. Kazanjian asked the artists to come up with their own
visions of one of the Bible’s most famous figures. 
