MoMA to show Gabriel Orozco's Body of Work that is Unique in its Intellectual Rigor
Written by Orlando Barsallo Monday, 20 July 2009 20:40
NEW YORK, NY.- Gabriel Orozco (Mexican, b. 1962) emerged at the beginning of the 1990s as one of the most intriguing and original artists of his generation and one of the last to come of age in the twentieth century, with a body of work that is unique in its formal power and intellectual rigor. Orozco resists confinement to one medium, and roams freely and fluently among drawing, photography, sculpture, installation, and painting. He has chosen a life and an artistic approach that could be called nomadic, ignoring any possible narrowness implied by national or regional identification. His native Mexico, New York, Paris, and working trips throughout the world all provide essential inspiration. On view 13 December through 1 March, 2010.
He deliberately blurs the boundaries between the art object and the
everyday environment, instead situating his contribution in a place that
merges “art” and “reality,” whether in exquisite drawings made on airplane
boarding passes or sculptures made from recovered trash.
Many of Orozco’s works—often specifically created for the occasion of an exhibition—have become indisputable classics of the art of the 1990s, such as the Citroën automobile surgically reduced to two-thirds its normal width (La DS, 1993) and the human skull covered with a graphite grid (Black Kites, 1997). This exhibition will provide the opportunity for many of these to be seen for the first time in New York and combine them with rich selections of work from Orozco’s vast body of smaller objects, paintings, and works on paper.
The exhibition is organized by Ann Temkin, Marie-Josée and Henry Kravis Chief Curator of Painting and Sculpture, The Museum of Modern Art. The exhibition in New York will be followed by presentations at the Kunstmuseum Basel from April 10 to August 10, 2010 and the Musée national d’art moderne, Centre Georges Pompidou, Paris from September 10, 2010 to January 11, 2011.
MoMA has completed the largest and most ambitious building project in its history. This project nearly doubled the space for MoMA's exhibitions and programs. Designed by Yoshio Taniguchi, the new MoMA features 630,000 square feet of new and redesigned space. The Peggy and David Rockefeller Building on the western portion of the site houses the main exhibition galleries, and The Lewis B. and Dorothy Cullman Education and Research Building—the Museum's first building devoted solely to these activities. These two buildings frame the enlarged Abby Aldrich Rockefeller Sculpture Garden. The new Museum opened to the public on November 20, 2004, and the Cullman Building opened in November 2006. Visit MoMA at : www.moma.org/
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