1. Exhibition at the Princeton University Art Museum to Explore the Gothic Revival

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    artwork: Francis Lathrop - "Jonathan and David (models for the Marquand Memorial window)", 1889 - Leaded opalescent glass - 171 x 61.5 cm. Collection of the Princeton University Art Museum. On view in "Princeton and the Gothic Revival: 1870–1930" from February 25th until June 24th.

    Princeton, New Jersey.- The Princeton University Art Museum is pleased to present "Princeton and the Gothic Revival: 1870–1930", on view from February 25th through June 24th. This exhibition of 40 works explores America’s changing attitudes toward the art and architecture of the Middle Ages around the turn of the 20th century. Organized by Dr. Johanna G. Seasonwein, the Museum’s Andrew W. Mellon Curatorial Fellow for Academic Programs, Princeton and the Gothic Revival investigates the adoption of the Gothic Revival as a style appropriate for American universities, as seen through the lens of Princeton University’s campus and collections. "Princeton and the Gothic Revival" covers the years between the dedication of the first High Victorian Gothic building on the Princeton campus, Chancellor Green Library, and the completion of the extraordinary University Chapel.


    artwork: Alexander Jackson Davis - "Glen Ellen: perspective, elevation, plan", 1832–33 - Watercolor, ink, & graphite on paper - 55.2 x 39 cm. Collection of the Metropolitan Museum of Art, New York. - At the Princeton University Art MuseumThe exhibition draws from the Art Museum’s collections and  resources of Princeton’s Firestone Library and  University Archives, along with those of the Metropolitan Museum of Art and other institutions, to highlight Princeton University’s role as a major patron of Gothic Revival art and architecture and the role of this style—of England’s “ancient universities”—in shaping the identity of modern-day Princeton. The exhibition is organized into four sections: The Gothic Revival prior to 1870 introduces the Gothic Revival movement in America and its English roots. Wealthy Americans visiting medieval sites or modern “Gothick” estates such as Fonthill Abbey often were inspired to design their own Gothic Revival homes that were a mix of the authentic and the fantastic. This section features a design for a stained-glass window for Fonthill Abbey by painter Benjamin West and a design for the first American Gothic Revival estate by noted architect Alexander Jackson Davis (on loan from the Metropolitan Museum of Art). The Gothic Revival in the Gilded Age presents the first High Victorian Gothic buildings constructed on the Princeton campus with a mix of medieval and other styles that reflected the donors’ interest in the Aesthetic movement, and its eclectic approach to design. This section highlights the former Marquand Chapel, designed by renowned architect Richard Morris Hunt. The chapel was later lost to fire. Featured works include Hunt’s original architectural plans and artist Francis Lathrop’s models for one of the stained-glass windows. The Middle Ages and the Modern University investigates the connection between architectural style and academic identity and use. This section presents works relating to the first Biological Laboratory and Art Museum buildings, both of which were constructed in the Romanesque Revival style.

    Also on view are some of the earliest works of medieval art purchased by the Museum (one of the great repositories for medieval art in the United States), including one of the first English medieval alabaster reliefs to enter an American collection. The Collegiate Gothic Campus explores the development of Princeton’s campus in the late 19th and early 20th centuries. The new buildings, which simulated those of Oxford and Cambridge, conferred an instant pedigree on the University and communicated the school’s desired stature to the student body (at that time all male and almost exclusively white and Christian). This section includes images related to many of the Gothic Revival buildings on campus, most notably a set of never-before exhibited watercolors of the original designs for the University Chapel.

    Founded in 1882, the Princeton University Art Museum is one of the nation’s leading art museums. Its holdings of more than 72,000 works of art, ranging from ancient to contemporary, concentrate geographically on the Mediterranean regions, Western Europe, Asia and the Americas. The Museum’s collections are particularly strong in Chinese painting and calligraphy, art of the ancient Americas and pictorial photography. Committed to advancing Princeton’s teaching and research missions, the Art Museum serves as a gateway to the University for visitors from around the world. The Museum is intimate in scale yet expansive in scope, offering a respite from the rush of daily life, a revitalizing experience of extraordinary works of art and an opportunity to delve deeply into the study of art and culture. Visit the museum’s website at ... http://artmuseum.princeton.edu/


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