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The Pasadena Museum of California Art Hosts "Street Artists from Concrete to Canvas"
Written by Stanley Fairweather Saturday, 11 June 2011 22:54

Pasadena, CA.- The Pasadena Museum of California Art (PMCA) is currently exhibiting the first museum exhibition that joins the work created by Los Angeles graffiti artists for a fine art context with their graffiti art made in the streets. Internationally renowned as one of the most fertile grounds for graffiti art, the City of Angels has its own idiosyncratic graffiti styles created from the innovative New York “wildstyle” that heralded the birth of graffiti as it is seen today, filtered through local influences such as gang writing styles that greatly predate the modern movement. "Street Cred: Graffiti Art from Concrete to Canvas" is on view at the museum until September 4th.
The artists for the exhibition have been consistently making influential public work, but their practice has expanded into work that is viewed in galleries and museums. Street Cred was first conceived in 2008 by PMCA Exhibition Manager Shirlae Cheng-Lifshin, who subsequently brought on Los Angeles graffiti historian Steve Grody as co-curator. Grody, who is the author of Graffiti LA, has been documenting high-quality work in the streets of Los Angeles since 1990. The exhibition includes his photographs from the crucial years of the graffiti scene, providing key insights into the visual “language” of graffiti, its development in Los Angeles, and the ways in which the street work informs the canvas work in the exhibition.

Ironically, the fine art production of these artists are meant for wider audiences than their graffiti works, so the artists incorporate a more universal pictorial language than the specialized typography evident in graffiti in situ, usually readable only to other graffiti artists. Yet the artistic skill and dialogue with modernism displayed by many of these artists demonstrates that their place in the continuum of art history is well deserved. Works in the exhibition will also be grouped according to style, further underscoring both the breadth and depth of this contemporary art movement. Taken as a whole, Street Cred will show how a genre born on concrete translates into canvas, and how the two worlds interact.
Artists featured in the exhibition include Michael Alvarez, ANGST, AXIS, Chaz Bojórquez, CODAK, CRAOLA, DASH 2000, Ekundayo, EYEONE, HASTE, Paul SKEPT Kanemitsu, Alex Kizu, KOFIE ONE, MAN ONE, MEAR ONE, Juan Carlos Muñoz Hernandez, Jose Lopez, Erick Montenegro, Nicnak, PUSH, RISK, Jeff Soto, Evan Skrederstu, RETNA, REVOK, SABER, SHANDU, Jesse Simon, SINER, and ZES. This exhibition continues the PMCA’s exploration of street art, starting in 2004 with Kenny Scharf’s mural Kosmic Krylon Garage, which is still on view in the museum’s garage and the exhibition 'The Ulysses Guide to the Los Angeles River' in 2010.
The Pasadena Museum of California Art (PMCA) is dedicated to the exhibition of California art, architecture, and design from 1850 to the present. Informed by the state's rich mixture of cultures and inspired by its impressive geography, California art has long been defined by a spirit of freedom and experimentation. PMCA exhibitions and educational programs explore the cultural dynamics and influences unique to California that have shaped and defined art in all media. Museum founders Robert (Bob) and Arlene Oltman are long-time Pasadena residents and art collectors. In 1999 the Oltmans commissioned the Los Angeles architectural firm MDA Johnson Favaro Architecture and Urban Design to create the museum. Ground was broken for the building in December 2000, and the museum became open to the public in June of 2002. PMCA, located just north of Colorado Boulevard at 490 East Union Street in Pasadena, is a 30,000 square feet, three-story, mixed-use facility. An open-air staircase accentuated by ever-changing natural light from an oculus above creates a dramatic entrance into the museum. The stairs lead to the second-floor lobby, 8,000 square foot gallery spaces, a bookstore, and a community room. The third floor includes a 2,000 square foot Founders’ Gallery and a vast rooftop terrace (4,000 square feet) that is accessible to the public during scheduled hours. The terrace commands a breathtaking vista of the 1927 City Hall dome and the San Gabriel Mountains to the north. Visit the museum's website at ... http://www.pmcaonline.org
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