1. The Museum Folkwang To Display Donations to the German Poster Museum

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    artwork: Martin Ritchie Sharp - "Blowing in the Mind Mister Tambourine Man", 1967 - Great Britain Collection of the German Poster Museum, Museum Folkwang, Essen, Donated by Richard Hubert Spel, 2008  -   On view in  "Donations to the German Poster Museum (2005 - 2011)"

    Essen, Germany.- The Museum Folkswang is pleased to present "Donations to the German Poster Museum (2005 - 2011)" on view from November 12th through January 22nd 2012. As with all museums, the Folkswang Museum - and the German Poster Museum within it - obtain works through exchange, purchase and donation. This new exhibition highlights a number of the generous donations that have been made to the German Poster Museum in the past few years.The German Poster Museum is unique in Germany and has one of the largest specialized collections in the world. Today the collection holds more than 340,000 covering the fields of politics, the economy and culture. They range from the earliest posters to those of today. Its thematic focus is a documentation of the development of German posters in a European context.


    artwork: Dieter von Andrian - "German Transportation Exhibition in Munich, 1953",  Germany (FRG), Munich 1953, Munich Mandruck Collection of the German Poster Museum - Museum Folkwang, Donated, Dr. Bettina von Andrian.The reasons for donating posters to the German Poster Museum may vary, but the expectations remain the same: the work should be well conserved, should be dealt with, should be available to the public and the name of the donor shouldn’t be forgotten. And indeed, the exhibitions by the German Poster Museum in the Museum Folkwang organized since 2005 would not have been possible without these donations, at least not with the same quality. Thus the taking becomes a giving, this is our duty which we wish to fulfil and show that the donations do not simply disappear into the depths of the storeroom, but that they are valued, also beyond the exhibitions – through an intensive formal and scholarly study of them. The exhibition will show around 60 posters selected from the almost 12,500 works donated to the museum between 1910 an today. Geographically they come mostly from Europe, with the majority of those from Germany. Even if this can only provide a brief insight, this presentation is naturally also intended to encourage, to persuade the hesitant to give their posters to the German Poster Museum or to support an acquisition.

    The Museum Folkwang – in the old North German epic poem Edda, the term Folkvanger (People’s Hall) was given to the palace of the goddess Freya – was founded by Karl Ernst Osthaus (1874-1921) in 1902 in the Westphalian industrial city of Hagen. This former student of art history, literature and philosophy had inherited enough money to finance the project. From its origins as an art collection with natural history and crafts sections, it soon developed into a pioneering museum of modern art in Germany. The museum was the first public collection in Germany to acquire and show works by forerunners of Modernism – Paul Cézanne, Paul Gauguin, Vincent van Gogh and Henri Matisse.

    artwork: Mouse Studios - (Stanley Mousey, Alton Kelly) "Jim Kweskin Jug Band", 1966 - USA, San Francisco - Collection of the German Poster Museum, Museum Folkwang, Essen, Donated by Richard Hubert Spel.Following the death of its founder in 1921, the Osthaus collection was acquired for the City of Essen by the newly created Folkwang-Museumsverein, a progressive initiative of Essen art enthusiasts, and in 1922 it merged with the existing municipal art museum, open since 1906. Osthaus’s support for what was, at that time, the Avant-garde of art, and that of his friend Ernst Gosebruch, director of the Essen art collection and later director of the Museum Folkwang in Essen, was an expression of a reform movement touching all facets of life, which sought to give the “western industrial region” a new aesthetic appearance by linking art and life. A site for collecting and conveying modern and contemporary art, within a few decades the museum had gained an international reputation, one reason for the malicious campaign against it during the Third Reich. A considerable loss of irreplaceable paintings and the destruction of the two museum buildings in the rain of bombs during the Second World War so ravaged the Museum Folkwang that only ruins remained in 1945.

    In the 1950’s and 1960’s, the museum directors of the day, Heinz Köhn and Paul Vogt, succeeded in filling the most painful gaps by buying back some works and acquiring others oriented on those lost. With the collection’s extension into contemporary art, by the 1970’s it had become bigger than ever before. The Museum Folkwang is today one of Germany’s best-known art museums with an excellent collection of 19th century and classical modern paintings and sculpture, post-1945 art, and photography, which has had its own department since 1979. The museum sees it as an opportunity to continue to develop along these lines and to revive the tradition of a range of media and a combination of fine and applied arts for which the Museum Folkwang was so famous before 1933 and which earned it the title of the “loveliest museum in the world”. An international architectural competition to desogn a new museum building was won by David Chipperfeld Architects in March 2007. The new museum opened in January 2010, when Essen and the Ruhr Area became Europe’s Capital of Culture. Visit the museum's website at ... http://www.museum-folkwang.de


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